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A life form wakes up in an unknown mysterious world. As he explores it, he slowly understands what kind of place it is. This world seems to be a beautiful place, but it is also fantasy, lacking what real life can offer. The being must consider to stay in the fantasy or return to the real.
The title Un enano en el jardin is an allusion to the Super 8 format and the setting where the actions that comprise the film unfold. A catalogue of extreme experiments with the mobility of the camera coordinated with brief improvisations by the Brazilian dancer Alice Bloch. It was mostly filmed with an Instamatic m22 camera (possibly the simplest and lightest Super 8 camera, with a fixed lens and manual diaphragm), so resistant that it functioned in conditions that would be unthinkable with a more complex camera, rotating at high speed around the optical axis or tied to a 35mm reel rewinder.
A filmmaker spends a year in the national garden of Athens, Greece and discovers the secret life of this place, by following several characters who seek refuge in its serene setting.
Suzie loves going with her parents to the allotment garden where each plot is so different from the others. One day, a big black dog and a blue key take her to a mysterious garden.
Our world is a beautiful garden of incredible colors, and it is understandable to anyone who can forget about what monsters can live here.
Aria gives birth to a son Leo. The happy event turns into a nightmare, when she becomes aware of how different he is as he shoots Prickly branches from his body.
Have you ever learned something just for fun? The Little Garden Sisters in Myeongju-dong, famous downtown in Gangneung, have been learning photography with smartphone for the past three years. They decide to go one step further and shoot a movie. Their average age is 75 years, but it is still fun. Their short film My Neighborhood Postman was invited to film festivals and won awards. So now, the new project is documentary filmmaking. However, it is not easy to accept the wrinkled and old self inside the frame, and the older sisters are now unable to move and can no longer film together. Besides, it is difficult to even get together due to COVID-19. Will they be able to complete the documentary?
How together the vegetables got rid of the evil goat.
A documentary that explores the relationship between three families in Suzhou and their private gardens. Each family invested considerably in creating serene and classic gardens, seeking ancestral tranquility. However, they face challenges when trying to maintain a poetic relationship between people and their gardens in an ever-changing modern world.
The emotional story of a mother giraffe, Mama Twiga, and the struggles of young giraffes and gazelles as they take on the risks of growing in the wilds of Swahili.
Gardening expert Carol Klein presents horticultural tips and tricks for summer.
This depicts the unique beauty of Maui's Garden of Eden Arboretum anup close and personal Jewel of the Hana Highway.
An elderly Creole woman’s life is bound to her flesh-eating garden. When Edette unexpectedly befriends a young girl before her next sacrifice, she must choose between killing her new friend or dying alongside her beloved garden.
For Garden of Earthly Delights (2016), Zhou collaborated with a puppet-theater troupe from Taishun. Set between the idyllic landscape of south Zhejiang and its decaying industrial zones, the film’s voiceover adapts the quotations of Zhuangzi, whose paradoxes are prompts to philosophical speculation. The marionette figures allude to the Daoist myth of the Eight Immortals as well as the eponymous hellscape by Dutch Renaissance painter Hieronymus Bosch, who also lends a title to Ship of Fools (2018). In this sculptural installation the eight immortals from The Garden of Earthly Delights are presented on their passage across the sea. A motor shakes the boat, though whether its passengers are in the grip of divine revelation, delirium, or madness is left to the viewer to decide.
After a global catastrophe, a volcanologist and a crow live in a deserted ice desert. Driven by deep longing, he fights for survival and builds a mysterious construct.
A future imaginary scenario set up in rural Palestine in the form of a garden with 50 flowers representing 50 Palestinian villages: Nothing is conventional in this garden. Not aware whether one is at the scale of the village, the city, or the room, the garden negotiates a new experience within the informal and the periphery that has been created as a result of a fragmented geography; a status of in-betweeness; in between the real and the imaginary, surface and bellow, absurdity and irony, physical and virtual.