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It is a sequel to Lazarica, the second part of "Zvona Noter Dama". History is being revived, it shows what happened back in 1389.
Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions
Robert Avranche, a middle-aged, alcoholic garage owner, is sitting on a train, reflecting on the emptiness of his life. An attractive young woman, Donatienne, suddenly enters the compartment and offers to make love to him. Robert accepts but, when the woman leaves the train afterwards, he decides to follow her...
Rwanda, 1973. In the prestigious catholic institute 'Notre-Dame du Nil', perched on a hill, young Rwandan girls study to become the elite of the country. In the process of graduating, they share the same dormitory, the same dreams, the same problems of teenage girls. But in every corner of the country as well as in the school there are deep antagonisms that will forever change the destiny of these young girls and the whole country.
The classic tale of a loveable, outcast hunchback and the gypsy girl he adores is transformed into a musical, warmhearted animated classic in this delightfully updated version of a stirring masterpiece.
One of the misfortunes of Boris Vian - and a misfortune for those who love him - is to be born and especially to be dead a bit too soon to have known the new wave. We saw him actor in "A pocket love" and "The Bel Age", Pierre Kast, in "Dangerous Liaisons 1960", Roger Vadim, where he held the role of Prévan, which was like a glove . His friend Prévert had designed him the cardinal's role in "Notre-Dame de Paris" by Delannoy. But never did Boris dare to put on the stage what he had written for the screen: he believed the thing impossible. An episode from the tv-mini-series "Collection rue des ravissantes: Boris Vian fait son cinéma."
Victor and Margot are two lawyers on the fast track to success at a major law firm. They are also a loving couple. After a senior partner at the firm dies unexpectedly, it is decided that either Margot or Victor will be promoted to the important position. The other will have to settle for a supporting role. Both scenarios are explored.
A sickly young girl is given away by her father to a childless couple. Twenty years later, she marries her adopted father.
In 1943, a divorced mother sends her two children to boarding school, the better to devote herself to her lover. The poetry and affection of a grandfather. The conflicted feelings of a mother-wife. Religious templars of blind teaching. An intruding lover. A child's subjectivity rewrites the entire path of his upbringing.
A documentary about the Russian filmmaker Andrei Tarkovsky. The film was an episode of the French documentary film series Filmmakers of our time. The title of the film is a play on the title of Solzhenitsyn's novella One Day in the Life of Ivan Denisovich.
Eloi is a twenty-year-old secondhand goods dealer who does his job without particular enthusiasm. He has a girlfriend, Nénette, but immature as he is, he feels just as happy in the company of Fortunée, his young sister, whose little girl's games he shares as often as he can. The three of them live with Eloi and Fortunée's grandmother, nicknamed by all the "Queen of the Flea Market". In possession of a mirror of Venice, Eloi decides to present it to Dormoy, an antique dealer who keeps up shop in the fashionable districts of Paris. On that occasion Eloi meets and falls in love at first sight with Dormoy's rich mistress. The latter, half-moved, half-consenting, does not discourage him.
Vincent tells the story of Jean, a character who is a part of him, without being him. In this story Jean meets Stacey. Among the echoes of today's society the professional and private relationship of a filmmaker and an actress at work is growing. Notre Histoire is a modern tragi-comedy, a love letter to a woman, a tribute to a neighborhood victim of terrorism, a self-portrait, a social criticism, the description of a relationship between a filmmaker and an actress, in the center of which desire and urgency to work mix.
Story of two friends who play football, one of whom is a self-centered quarterback who thinks he's the only man on the team.
This is an adaptation of the novel "The Hunchback of Notre Dame" by Victor Hugo, produced by Burbank Films Australia.