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With Roland Petit’s cool, cabaret-style choreography and chic costumes by Yves Saint Laurent, Notre-Dame de Paris has been a modern ballet hit ever since its 1965 premiere. Petit’s deft condensation of Victor Hugo’s epic and tragic novel is now renewed by two stars of our own time, Roberto Bolle and Natalia Osipova: a stunning tribute to Petit’s genius after his death in 2011. Recorded live at Teatro alla Scala, Milan, March 2013.
Esmeralda, a beautiful gypsy street dancer, arouses the desire of men, especially of Claude Frollo, the archdeacon of Notre Dame. The latter asks Quasimodo, the deaf and deformed bell-ringer of the cathedral, to kidnap the girl. Quasimodo, who has been adopted by Frollo and obeys his every word, captures the gypsy but she is saved thanks to Phoebus, a handsome captain, and his archers. Arrested by Phoebus, the hunchback is condemned to be flogged at the pillory. When Esmeralada, moved to pity by his lot, gives him water to drink, Quasimodo falls in love with her. Later, Phoebus is stabbed to death and Esmeralda is wrongly accused of the murder. Sentenced to hang, she is saved by Quasimodo who offers her asylum and... the love of his heart.
In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
Redheaded teen Remy is bullied by his soccer teammates and drawn into fights with his younger sister and mother in their cramped apartment. After a flare-up of domestic violence, he flees home and is tracked down by a bitter guidance counselor, Patrick, also a redhead. Patrick looks upon Remy’s sullen insolence with both sympathy and disdain and decides to toughen him up...
A series of murders and kidnappings occur by an unknown killer, and the police begin to search for him, and when a young journalist discovers that the killer has been influenced by the well-known character (The Hunchback of Notre Dame), he disguises himself as a similar person and calls himself (Ahmed Notre Dame), and agrees with a girl to kidnap her in order to attract His killer, who already begins to search for him and communicate with him.
Robert Avranche, a middle-aged, alcoholic garage owner, is sitting on a train, reflecting on the emptiness of his life. An attractive young woman, Donatienne, suddenly enters the compartment and offers to make love to him. Robert accepts but, when the woman leaves the train afterwards, he decides to follow her...
Vassili is an aged prostitute with killer instincts. He finds an unconscious young man in the Forest of Boulogne and takes him home. Now lovers and accomplices, the two men become a couple in prostitution and steal from their clients. And yet, menaces of retaliation leave the couple with no choice but to escape from Paris. The runaway begins...
Quasimodo, the hunchback bellringer of Notre Dame's cathedral, meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the cathedral, and a poor street poet. But Esmeralda's in love with a handsome soldier. When a mob mistakes her for a witch, it's up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.
"Cinema of Our Time" is a documentary series about contemporary filmmakers from around the world, created by Janine Bazin and André S. Labarthe, as a follow-up to the acclaimed initial series "Filmmakers of Our Time" (1964-1972).
A disturbed priest, who witness an occult ritual, thinks the people are possessed and start a private inquisition to exorcise the demons by torturing them to death.
Step by Step is an American television sitcom with two single parents, who spontaneously get married after meeting one another during a vacation, resulting in them becoming the heads of a large blended family
Maud is an architect and a mother. Due to a misunderstanding, she wins the competition to refurbish the parvis of Notre-Dame. Torn between these responsibilities and love issues, she will go through an emotional storm.
Juliane, a police commissioner in Paris, is a woman with great moral integrity. But when she discovers her husband’s double life, she starts committing acts she never would have thought herself capable of.
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.