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MotoGP™ is the pinnacle of motorcycle racing, and the World Championship is the ultimate goal which only a handful of the very best will achieve. This fascinating programme reveals how Grand Prix World Champions are created, discovering the Route to Glory. The programme features extensive, intimate interviews with Valentino Rossi, Jorge Lorenzo, Nicky Hayden, Casey Stoner, Dani Pedrosa , Andrea Dovizioso, Alvaro Bautista, Hiroshi Aoyama, Julian Simon, Mike di Meglio and Britain’s own Bradley Smith. Plus we hear from legends Wayne Rainey, Eddie Lawson and Kevin Schwantz on what it takes to become World Champion. These men are among the chosen few to have challenged for MotoGP™ World Championship victory, and this is the story of their Route to Glory.
On Trace la Route, the eagerly awaited follow-up to Christophe Maé's smash breakout hit Mon Paradis (2007), follows in the same direction as its predecessor, and though it lacks that album's easygoing charm, it's an outstanding effort that should delight the singer/songwriter's legion of fans.
Routemaster is a montage of rhythmically organised repetitions and involves an abstraction of motion that increases in frequency and scale. The basic framework of the film is provided by intercutting of two counterposed materials. On the one hand, it uses black-and-white, endlessly accelerating and rhythmically varying images of the inexorable forward motion of the racing cars. On the other hand, it uses colourful, extreme slow-motion images of details of a chequered flag fluttering in the wind. The escalating speed, growing abstraction and mosaic-like repetition of images leads on to manipulated, yet realistic images of human bodies used in crash tests. In the end, all that is left is the black-and-white flash of speed, the gyrating pulse of the mosaic, the details of the human bodies and the intense soundtrack. Routemaster has some of the qualities of a live concert.
"One of the nice things about movies was you could keep them at a distance. Movies knew their place. We were dimensional, they were flat, so it was easy to know which was which. But THE SCENIC ROUTE seemingly spills from the screen, threatening demarcation lines everywhere." --EAI
Follows the No. 31 London bus from Camden Town to World's End, Chelsea, meeting characters who live and work along the route. The soundtrack features the Carl Davis composition Variations on a Bus Route, commissioned to celebrate London Transport's 50th birthday in 1984.
A debt-ridden ex-grad student is goaded into returning home to family-values country to play the part of "loyal son" in his estranged father's political campaign.
This ongoing project consists of six chapters, each shot in a different part of the world, and together they form a mosaic of common performative elements that unite different textile cultures.
Debra Miller reflects on her decision to start living in a van at the age of 70.
"Tree rhythms in the backyard of my parents’ house" -Dan Browne.
Completed in 1900 with British financing, Canadian contracting and American engineering, the White Pass & Yukon Route was the engineering marvel of its time. Cutting a swath through some of the world's most ruggedly beautiful terrain, the White Pass today is a trip through history.
