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Francois always despised the textile barons who ruled his local town. But he fell in love with the family heiress Gilberte. Ten years ago, he would have married her. Now only hatred holds them together. Francois is accused of murder. A hooker and a football star lie slaughtered. He thinks he has been framed by the mob. Going underground, he finds that the trail leads all the way to the top - to Gilberte's family. He needs friends. And friends are hard to come by in his town.

A London slasher pack the suitcases of his victims before stabbing them to death in this adaptation of Edgar Wallace's 'Secret of the Black Suitcases.'

Hong Kong Horror movie from 1939.

"Corpus delicti": object that materially proves the existence of a criminal offense, a crime. Filmmaker Léolo reverses the perspective and asks in this docufiction what society does with the bodies of those who break the rules and resist power. The film successively gives a voice to the mutilated victims of police brutality and to a young fictional gay activist, carried by both his love and his devotion, but crushed by the legal system and prison. The film asks essential and necessary questions about the difficult intersection of art and politics, expression and action, justice and violence.

The Cortez brothers rob a bank and flee beyond the Mexican border. On their trail are various people, each for a different reason: Sheriff Fulton is sent by the robbed bank to recuperate the money; Django, a head-hunter, is after them for the reward money; Pickwick is after a saddle stolen from him by the Cortez brothers; Pedro and Dolores, saloon owners, also would like to have the loot.

The memory of that day is... a frog...

Het korps Mariniers is a documentary about the Royal Dutch Marine Corps, which Paul Verhoeven made while being assigned to the Marine Film Service as a documentary filmmaker.

A violent upstart forms an alliance with the powerful Tensei-kai syndicate to fight on the front lines of an underworld war and take over all of Japan.

Scenes collected in Thailand are used to document the ceremony and shock surrounding the death of women. Murders, autopsies, and accidents are on display and invite the viewer to explore the lives of those now lost.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Adriano Prosperi, a bank teller working in Milan, has spent years planning to steal a large sum of money and then disappear without leaving any trace of his existence.

A story of a coffin maker who tells a story about a policeman who was murdered by his wife and her lover. Eventually released constable loose of some grave robbers, the constables ghost is out to make the lives of all those involved in his death miserable. (A Shaw Brothers production)

Itso, about 35, drives a special ambulance called a 'corpse-van'. His job is to pick up the bodies of the recently deceased and transport them to the morgue. Itso's assistant is a Gypsy with the nickname 'Buddy'. Mimi, a nice and lovable ward-maid from the morgue likes Itso, but he doesn't really pay much attention to her, because he is in love with Katya, an attractive 40 years old woman. Katya humiliates Itso and uses him, but it doesn't change his feelings for her. Katya turns out to be a mistress of the mafia boss Rocco, who beats her and one of the days - brutally rapes her, which is seen by Itso. Buddy convinces Itso that real men deal with life problems by administering justice themselves. Itso decides to rescue Katya and her 14-year old son Mario from Rocco, and free the world from a villain... This complex story, referring to subconscious, psychology and symbolism, is not only about freeing the world from outside evil, but also freeing a man from his inner demons...

It is a simple story with a deep meaning. When the beautiful chanteuse Hung (Law Yim-hing) is forced to marry Commander Lau (Lau Hark-suen), her brother (Cheng Wai-sum) interferes but is brutally beaten to death. Hung also falls to her death when she tries to escape. The siblings are only hastily buried in a coffin home, which is haunted soon afterwards. Hung's lover Wong (Wong Chiu-mo) later sneaks into the haunted house hoping to see her for one last time; Lau, meanwhile, insists on inspecting the coffin home and the corpses to prove that ghosts do not exist…The film creates an eerie and uncanny atmosphere with its well-designed camera angles, sound and editing. The haunting looks of the two ghost characters are a nod to Hong Kong's typically told horror stories.

An exceptionally powerful and personal animation, drawn entirely in virtual reality. It is a visual expression of spite and trauma inflicted by an abusive family member that transforms into a feeling of salvation from the inevitable mortality of the abuser.