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The first of a trilogy, this animated media film embraces novel production and broadcasting methods to embrace a non-narrative, open form. FOREIGN BODIES was created using video light painting and modern medical imaging (CT, MRI, cryosection), generating a mythical landscape of transparent bodies, and instilling a sense of strangeness that our own bodies can sometimes inspire.
In search of a new way of life, Diane, 25, settles in her grandfather's home in a village bordering a forest where she practices archery.
This vintage informational film from the Vietnam War profiles the efforts of the U.S. Navy's Corpsmen, the selfless medical first responders who accompany the Marines into battle.
A short film shot on July 2, 2011 that directly refers to the DSK case. In voice-over, with an echo in English, the inner monologue of a maid who wears makeup, hair, wounds, whose body has disappeared in suffering. A reflection on loneliness and confinement.
In planning The Exquisite Moving Corpse, decisions were made to alter the methodology from a drawing strategy and apply it to film, specifically each invited artist would make a one-minute film based on the last frame of the previous minute. [Overview Courtesy of Liz Flyntz via Microscope Gallery]
Follows Del Berham, a fairly average mechanic who is fascinated with children's books, through his everyday life in a small Iowan town. Separately written scenes play in random order, so Del's perceived character can change with every viewing. Consisting of 26 scenes on one DVD, the movie delivers 4.03 x 10^26 possible orders resulting in a non-linear film with a variable narrative logic.
The white screen of the cinema projects the image of a film. However, as the brightness of the mind breaks through the night, in order to imprint this burst of light, it needs a black screen, becoming the never ending abyss of the imaginary, reflecting this spiritual enlightenment.
This found-footage digital optical printer piece alludes to the decay of cinema and the advancing of digital film through a series of devolving images from the history of photography and early motion picture technology.
Sophie Bredier, born in South Korea and then adopted at four and a half years by a French family, is pregnant. This event upsets her with her intimate and social identity. How can you have a child yourself when you know nothing of its origins and you feel foreign to your own body? This inner journey leads her to reflect on physical difference and roots, on the links with those around her while returning her to her double childhood - French and Korean. And if finally she could find the words to transmit them to her child…
A film about extortion, brutality, and death caused by police as they enforced Covid-19 restrictions in Nairobi’s informal settlements. “Cops and Corpses; Victim’s Cry for Justice” follows up with families and victims of police brutality during the enforcement of coronavirus restrictions; highlighting their grief and quest for justice, which for many seems so elusive at the moment. The documentary is told through a mix of characters. Among them are two survivors of police brutality who are both still suffering from the effects of their encounter with the police, and also the families of three victims who were killed, including that of a 13-year-old boy who was standing on the balcony of his parent’s home. The story revolves around the quest for justice, grief and the economic burden on the survivors who have been incapacitated and have mounting hospital bills.
Marie, thirty-five, is in love. Every day she fights for her relationship with Paul, a long-term prisoner, to live within her. An exclusive relationship that nothing should disturb and that it protects from the gaze of others.
A master occultist revives her recently deceased father in order to take care of some unfinished business. But shortcuts in the resurrection process result in his needing to accomplish more than merely his own objectives.
The story of the 25th Infantry Bicycle Corps and their 2000-mile bicycle journey from Montana to St. Louis in 1897.
In association with Jean-Luc Guionnet (image/sound). Ceremonial «haptique of two male bodies, shot in interieurs, with electroacoustic music.
