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A bearded man with a backpack gets on an airplane and a beardless man without a backpack simply does what a man has to do.
The son of the beloved female vocalist in the popular doo-wop group, The Skyliners, confronts his estranged father for the truth about her suicide.
An ex-pro football player works various blue collar odd jobs in order to survive in New York City and will do whatever it takes once he gets an interview for an entry level office job at a law firm.
Tired of underworld and overworld alike, Isis escorts her favorite son on their final curtain call down the Nile, leaving a neon wake of shattered tombs and sparkling sarcophagi.
Documentary in which singer Alesha Dixon, concerned about the increasing pressure on women to conform to an ideal body type, investigates the practice of airbrushing and retouching that has become a staple of magazine photos. Keen to discover whether these images simply celebrate the female form or whether they make harmful, unrealistic demands on women and society, her journey sees her sitting in on 18-year-old Ellie's boob job, hearing fashion mag insider Liz Jones and celeb mate Cheryl Cole complain about the beauty industry and appearing on a front cover with her own body beautiful untouched.
"Don't Blame Me" is John 'Ozzy' Osbourne's personal, gripping and frank invitation to see who he really is and what he's really been through. Filmed on location at his British and American homes, Ozzy reveals the truth behind his then 23 years of solo stardom with unnerving honesty.
Just the best bits from over a decade in comedy. All killer no filler. Guaranteed laughs.
Conservative Political Commentator Dave Rubin's very first stand up comedy special.
Funny Girls show-stopping number redone on stop-motion animation with Vintage Barbies.
Three unemployed actors try to make money be doing stand up comedy.
This is a story about 2 brothers, Jaiye and Juwon Kuti. Their relationship becomes estranged when the younger brother Juwon dropped out of school to pursue a music career. The story revolves around their conflicting lifestyles and the challenges between being highly educated but poor and less educated but very rich.
Don’t Look at the Finger follows a ceremonial ‘fight’ between two protagonists, a man and a woman, in the grand architectural setting of a church. The way the characters communicate is a feat of choreography that combines Kung Fu with signed languages to express a ritualistic coming together.
Directed by Ama Lea
Elsa is facing a big problem. Huge in fact - a monster has inhabited the downstairs floor. He is disruptive, loud, and keeps her awake at night. She takes it on herself to find out what he's really doing there and why.
After spending a debaucherous night out, Tommy arrives home to find his wife missing... and an evil presence lurking
After a brutal senseless high school shooting that left three teachers and eight students dead, a vengeful father kidnaps the shooter from police and takes him to an abandoned warehouse. His intention: to execute the killer himself. But he soon realizes the boy doesn't value human life and has no remorse for what he did. In his rage, the father feels he is left with no choice but to teach the killer a horrifying lesson through pain and torture, to make him realize the weight of his crimes.
The film gives voice to the growing trend of Afro-descendants moving back to the continent of Africa to live. It highlights the life of a professional educator and their journey through the Texas school system to find freedom amid issues surrounding school equity, racism, and miseducation. This is juxtaposed against the life and legacy of the founding father of Tanzania, Mwalimu Julius Nyerere, who enacted empowering policies such as Ujamaa and Education for Self-Reliance, and the life and times of Dr. John Pombe Magufuli, the president who denounced COVID-19.
A reporter investigates the home in which the man was stalked.
In this adaptation of Alexandra Fuller’s memoir, actor-director Embeth Davitz explores the end of the tenuous truce between white landowners and Black farm workers in the lead-up to the 1980 election in Rhodesia (now Zimbabwe).
