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Don’t Stop! is an all-access, no-holds-barred look into the dynamic world of pop megastar Gloria Estefan, as she takes you “behind the scenes” on her most recent U.S. & European promotional tour for the already PLATINUM album release Gloria!.
Desmond and Ray promise Jess that they won't look inside her box, but the temptation is too much for some to take.
Short film animated by children.
Short film.
Music video by Brody Dalle performing "Don't Mess With Me" from the debut solo album "Diploid Love"
A short film following a young man, Euan, returning home after a fateful night out in London. Exploring the prevailing issues of toxic masculinity and homophobia within lad culture, the film delves into Euan’s state of mind as he leaves numerous, scattered voicemails to his friend, Jack, fearing what he could lose if “the boys” find out what he did that night.
A mysterious vixen cons two low-life thugs into crossing paths with a powerful crime lord.
Don't Get Me Wrong is a 1937 British comedy film co-directed by Arthur B. Woods and Reginald Purdell and starring Max Miller and George E. Stone. It was made at Teddington Studios with sets designed by Peter Proud. Unlike several of Miller's Teddington films which are now lost, this still survives. Miller plays a fairground performer who meets a professor who claims to have invented a cheap substitute for petrol. They team up and persuade a millionaire to finance them to develop and market the product, while unsavoury elements are keen to steal the formula and try all means to get their hands on it, involving slapstick chases and double-crosses. It then turns out that the miracle fluid is diluted coconut oil, and the genius professor is an escaped lunatic. The millionaire finds himself taking the brunt of the disappointment.
Words We Don’t Say is about the complexities between father and daughter relationship. The nuances. The lack of vulnerability within a complex dynamic and how it impacts them both. It's about he words we don’t say but wish to.
A drag queen is forced to deal with being called out on social media, overly flirty friends, and an unsatisfied boyfriend as he prepares for a big performance.
Red steals his girlfriend’s car to head to a weed festival on 4/20 with his best friend Black, encountering many mishaps along the way.
It is difficult to write a synopsis, especially when there is pleasure in letting a nontraditional story unfold. The viewer should go into this with no expectation. Every re-watch will guarantee new clues.
After coming home beaten and bruised, Joni is given an ultimatum by his father to retaliate against his bullies. When Joni got back empty-handed, his father taught him how to fight. Will Joni break the cycle of violence passed on from generations before him? Or will he be another cog in the machine?
A Native American woman must reconnect with her heritage to defeat a legendary evil.
In a deeply personal account, Molatelo Mainetjie, a natural story-teller and award-winning documentary filmmaker, shares her battle with infertility. Having grown up in rural GaModjadji in Limpopo Province, Mainetjie’s modern lifestyle in Johannesburg bares little resemblance to her family’s. As she seeks medical assistance, the high costs and emotional strain are compounded by her family’s dissatisfaction with her ‘western’ methods. After continual disappointment, the question: ‘What is a woman if she cannot be a mother?’ consumes her. With a rare localized perspective to the topic, Mainetjie takes the audience on a journey through IVF treatment, visits to a traditional healer and practices to gain assistance from her ancestors. An intimate portrait of infertility, this crucial story speaks to a much bigger issue faced by many, yet largely shrouded in silence.
Jon Else’s open-ended documentary showing Death Valley, Calif., as a cruel and sublime backdrop against which a small group of aging residents reminisce about a past that seems like a distant, half-remembered dream.
Mexican feature film
Frank has checked into a cheap hotel with the intention of using his pistol to commit suicide there. However, just as he is putting the pistol to his head, a lengthy earthquake begins, and makes it impossible for him to aim as he had intended to. The earthquake also causes him to meet a prostitute who has been working in the next room, and they become acquainted. On more than one occasion as they talk, he has reason to repeat his request: Don't Call Me Frankie.
Magical girl Lavender is being haunted in her dreams by a former love, but she doesn’t have time to be sad when she has to be strong and magical! Or does she? Will Lavender learn that it’s okay to not be okay?
With a weakening marriage, Shawn and Jess turn to a faith-based retreat to salvage their union. As they seek reconciliation, an unexpected encounter causes Shawn to question his faith, marriage, and belief in God.