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An instructional film on when to shoot at a victim and when to wait. The film plays with instructions for real action, but also explores the short film's distinctive narration and structure, the rising tension resulting from unpredictability. Identifying the subtle sign indicating the need for action acts as a parallel for the act of finding reference points in cinematic storytelling.
Billy gets into trouble with a couple of cops by littering in the park, and must use all his ingenuity to elude them.
Don't Park There was one of a series of two-reel comedies Will Rogers made for producer Hal Roach during the 1923-4 season. The story amounts to little more than a one-joke anecdote, but oddly enough the joke is more relevant now than it was in 1924: this is the tale of a man who can't run a simple errand in the city because he can't find a parking space.
“Don’t Take Harlem is my personal love letter to Harlem. This project is dear to me because it allowed me to understand my hometown and the stories that could be extracted. The visual images shown through this film captures my artistic style in its most authentic form.” Marshall Wayne Cooper
Max and his son Asher are invited to a party, where Max meets a rich widow, but Asher keeps annoying all of the guests, so Max refuses to speak to him. 10 days later he has married the widow, but hasn't told her about Asher. Asher doesn't like the situation either, and enters the home disguised as the new maid, that leeds to a growing suspicion of his step mother, who has her own little secret.
Gangster leader Nick the Sheik is released from jail and manages to run into "collector of rare coins" Vernon Snodgrass, who looks exactly like him. With the cops after Nick AND Nick's old girlfriend wanting to get the romance cooking, you can imagine the confusion that ensues.
A misguided young man ignores the wise advice of a gang leader and starts selling drugs to achieve his dreams of a luxury lifestyle; but he soon realizes that quick money comes with deadly consequences.
After lying to her new eccentric coworker Larry about a company party, an ambitious corporate flunky must deal with the deadly consequences.
A young man is attacked by a demon in the forest. Armed with a machete, a fight to the death begins.
Jess, a commodities broker, is finishing up a long day of trading. He just wants to get home and spend the evening with his girlfriend. His plan gets thwarted when he starts seeing and hearing some very strange things around the office. From there, things go from the macabre to the grotesque as Jess finds himself in a fight for his life to escape his place of business.
Ninni and his father Amelio wish to redeem their modest lifestyle. An opportunity will arise when the father, who works as an Elvis lookalike, is called to perform in a rich seaside resort. On that night, however, Ninni will be forced to come to terms with the harsh reality of the real world.
A film about what it means to be a woman cycling in different countries around the world. When Manon left to cycle from Brussels to Tokyo, she took a camera with her and met other women cyclists along the way. Hear their stories!
An exploration of the tangled love lives of the employees--and ex-employees--of a law firm.
Here is the premiere of Don Rickles Live in Arizona! Filmed at Wild Horse Pass Casino in 2014, this incredibly important special signifies one of the final recordings of Don Rickles performing live. With this third performance in the series, The Don Rickles Channel is proud to showcase the evolution of Don's performances over nearly 25 years. Presented by Winbrook Entertainment in association with Wynnefield Productions, this legendary performance is a testament to Don Rickles' comedic genius. Remastered by Sorcery Cinema, this exclusive release brings the magic of Don Rickles' timeless humor to a new generation of fans. Join us as we celebrate the legacy of the iconic Don Rickles, with the support of the Rickles Estate. Subscribe now to witness the unforgettable laughter and entertainment from the one and only Don Rickles.
The New York Friars club roasts Don Rickles. Hosted by Johnny Carson.
As the Labour Day Holiday is approaching, Ling Xiuzhen and her thirty-year old grandson decide to visit their long time no-seen hometown, Zhujiajiao, a place known for its riverfood. There is where she founded a traditional style Chinese restaurant time ago, which was transferred to her son after she retired. It's been a while since Ling Xiuzhen hasn't visited Zhujiajiao. In the recent years she has been living in Shanghai with her busy grandson, holding a monotonous life. But there are times where she leaves her routine for a second to wonder about the future, especially regarding whether her grandson would be willing or not to take care of the restaurant, following the family tradition. Ling Xiuzhen and her grandson. Two cities afar. Two generations yearning to build a bridge between them.
Five sisters whose life conditions deteriorated after the death of the father and the mother was sentenced to death after her involvement in a murder in defense of her honor. Each of them grew up with painful memories that gave rise to feelings of hatred and hatred for this world in them, and hostility to all men was rooted in their souls and made them desire revenge and control.
Many musicians have their music freely available online. There is hardly a Slovenian band which hasn't given a free concert. On the other hand, production is on the rise, both in terms of music and events, although it seems that it is beginning to lack audience. How to come to terms with this "gratis culture", who foots the bill, what are the pros and cons of this – these are some of the questions the documentary film attempts to answer through interviews with more than twenty Slovenian players on the scene – from venues, labels, the media, journalists, to musicians. How to put a price on music?
A bigoted old woman is convinced her flat is haunted by a ghost. Holy water, prayers and demon hunters: it's never safe enough!
The Brave Don't Cry aspires to the "feel" of a documentary, right down to the deliberate absence of background music. A mine in Scotland falls victim to a cave-in, trapping some one hundred workers. Rescue parties are formed as the tremulous families of the miners wait in agony. As in the actual incident upon which this film is based, the rescue is nip and tuck and times, but eventually successful. The faces of real-life Scottish mining folk are melded with the professional actors in The Brave Don't Cry, adding poignancy to this otherwise cut-and-dried film.