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Break the Cycle is a documentary about Downhill Mountain Biking in Ireland. Most of the best downhill riders lives revolve around their bikes - their friends, their family, even their jobs. Break the Cycle aims to get an insight into the lives of those top Irish mountain bike riders, to show their individuality. Shooting them at the places they ride, train, work and live while showing off the amazing landscapes on the Island of Ireland. It's looks into how these riders have used their bikes to "break the cycle" of everyday life. Break the Cycle film includes profiles from nine of the best Irish Downhill Mountain Bike riders. They each have their own unique lives, and different views, but they all have one thing in common - their love for bikes. From the full time pros, to the medical graduates, air conditioning engineers, apprentice joiners, and personal fitness instructors, their passion for downhill mountain biking has united them all.
The release of She’s So Unusual in 1984, catapulted Cyndi Lauper to the top of the charts and established her as a household name. She became the first woman to record four Top 10 singles on a debut album; “Girls Just Want to Have Fun,” “Time After Time,” “All Through the Night” and “She-Bop.” With her iconic four-octave voice, Cyndi celebrates the 30th Anniversary of the Grammy-winning smash debut album with Front and Center. Taped from New York City’s Highline Ballroom, the performance marks the first time Lauper has ever performed the album from start to finish
A young doctor rejects his older outlaw brother Johnny who put him through medical school by dubious means. The brothers find themselves on opposite sides of a range war between homesteaders and a crooked cattleman.
Crenshaw and Randolph are competing freight haulers and Randolph's lead man Tom Baxter has given him an advantage....
As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive
Stages a double persona on a music of Monteverdi (Ariadne’s lamento interpreted by Janet Baker).
Make the most of your alone-time with the CycleOps Real Rides RaceDay Indoor Trainer DVD. Quench your thirst for race-day action as you ride along with pro-coach Robbie Ventura in an elite-level criterium race. Bicycle-mounted cameras put you right in the race with Robbie as he kills it.
A prophet who longed to look upon his deities. A daunting journey to a mountain peak. A confrontation with gods too powerful to name. This is the story that inspired Peter Rhodes, who worked as a filmmaker and artist during the 1920s. Few people know of his work, and it's only through luck and perseverance that we have been able to track down the elements for this "lost" film. Rhodes' films were created using silhouette animation, a technique perfectly suited to depict Lovecraft's mythic Dreamland stories. The filmmaker's involvement in New York City's occult and literary scenes provided him with a select audience for his work. Rhodes was especially influenced through his relationships with occultist Aleister Crowley and writer H.P. Lovecraft, but it was personal tragedy that moved him to produce "The Other Gods: A Tale of the Dream Cycle," his most powerful film.
Historic adventurism movie inspirited by legend about mystery monk, alchemist and healer who made the flying machine according to lost book wrote by Leodardo DaVinci in 18th century.
In 1988, Tilda Swinton toured round the Berlin Wall on a bicycle - starting and ending at the Brandenburg Gate - accompanied by filmmaker Cynthia Beatt. As Swinton travels through fields and historic neighborhoods, past lakes and massive concrete apartment buildings, the Wall is a constant presence.
In this western, Red Ryder rounds up a gang of horse thieves who have been stealing cavalry horses.
Los Angeles in the year 2005: 19-year-old lads move through an apartment that has been equipped with webcams and looks like some sort of futuristic internet doll's house. Not-quite-so-young men fulfil their sexual dreams as protagonists in bareback productions. And, at private sex parties, almost every second guy has either taken part in a porn film or wants to. In 1997, I followed on camera the fortunes of a group of men who had chosen to wok - either artistically or commercially - with their bodies. This footage later become part of my 1998 documentary, SEX/LIFE IN L.A.. I'm still in touch with some of the men in that film, these include: lone battler Kevin Kramer, mature shooting star Cole Tucker, American boy-next-door Matt Bradshaw and friends of the occasional model John Garwood, who died of an overdose in 1998. Some of these men have successful careers behind them, others have left the sex industry altogether.
Returning to the village of Bayport after twenty-two years, retired sea captain Cyrus Whittaker finds the community under the power of political boss Herman Atkins. Cy opposes Atkin's choice for the position of teacher and helps to elect Miss Daws instead, thus earning the enmity of the politician. One day, a young girl named Emily Thomas arrives with a note from Sarah Oliver, a relative of Cy, explaining that the girl is the daughter of his old sweetheart and that her father is in jail and her mother dead.
Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps rope on a wheel. A very laughable subject.
Reeling from the news of his sister's suicide, Beau McCammon returns home to his family after a long absence. His father, who has just barely won another term as senator, doesn't take things well when Beau approaches him with the sinking suspicion that the suicide may have actually been a murder. Determined to solve the mystery, Beau uncovers a plethora of family secrets, deception, and implications of unspeakable political wrongdoings.