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In a bar, a speed-dating. Birth of an improbable and miraculous love in unsuitable circumstances ...
Provocative, misunderstood, unloved, cynical poet... Serge Gainsbourg as seen by the women in his life: Juliette Gréco, Vanessa Paradis, Jane Birkin, Brigitte Bardot, Régine, France Gall, Charlotte Gainsbourg, Bambou... An intimate portrait of the man who could not live without them.
An early hand-tinted adaptation of Ali Baba.
The fascinating world of ocean fauna: dangerous sharks, majestic stingrays, brilliantly coloured fish and a variety of species from the diver's paradise of the Maldives. Spectacular images of the diverse life-forms to be found under water.
Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.
Duras, ever the challenging interviewer, forensically questions a Parisian zookeeper regarding the happiness of the animals in his charge. Intercut with her questions is stark black-and-white footage of the animals themselves behind bars, as they pace the length of their small concrete enclosures. Duras is very much on the side of the big cats. “Are you ever careless?” she asks the zookeeper. When he replies in the negative, Duras says smilingly: “In your position I’d be tempted to be careless”.
The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France
Sea battles in the morning and gladiator fights in the afternoon with wild beasts magically appearing in the arena? A subterranean archaeologist investigates tunnels to see how the Colosseum could be flooded; and architects, engineers, and builders construct a lift and trap door system to attempt the release of a wolf into the most famous amphitheater in the world for the first time in 1500 years.
In this very personal and poetic film, veteran documentarian Serge Giguère pores through 100 letters written by his late mother to him and his 15 siblings. In them, she details the trials and tribulations of raising 16 children in rural Quebec, while helping to run a family carpentry business. Through inventive and playful techniques, Giguère brings the stories alive, applying creative approaches to family photographs, archival footage and staged reenactments. He mixes his mother's stories with his own memories and those of his siblings, some of whom hear for the first time what their mother had to say about them. Through these intertwining stories, the film presents not only a testament of a mother's complicated love for her many children, but also offers an intimate look at 1950s working class Quebec. - Aisha Jamal (Hot Docs Film Festival)
Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.
The story of the children of Captain Grant.
