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Being caught at school giving each other a hickey, Manu (14) and Toña (15) begin a journey of desire, guilt and goodbyes.
Ali is 18. His feet are firmly off the ground. The very idea of marriage seems like a game. But the bride's parents are ready and willing. Business ventures will be set up between the families; the arrangement will pay off all round. Ali, meanwhile, is more interested in playing with puppets and dressing up as a rooster for the travelling theatre. His fiancée has only so much patience... So what should his parents do? What was that? Hire a Borrowed Bride? Meaning exactly what? Well just that: borrow a bride, as the title of the film suggests......
A working-class family in Buenos Aires runs an underground sports betting operation, which becomes matriarchal after the father's death.
Katrine is to be married. Her fiancé is gorgeous, their appartment is luxurious and her future in-laws are wealthy. Katrine only has one problem: she sometimes finds it difficult to tell the truth, and this sends her on a round-about jaunt with an old friend, Thomsen, who has just barged in unannounced from Kenya and who wants to return a favour and help Katrine with her wedding preparations. A labyrinthal excursion takes place. Tomorrow is another day, the wedding day!
Sega's children, born into post-war Chinese rule, can't relate to their father's love for Japanese culture, having grown up under Japanese rule before WWII.
Among the Gruber family, the rumor spreads like wildfire that their wealthy American relative, Menyhért Gruber, is visiting Hungary with his daughter, Mary. Various plans are devised to exploit the rich relative. The boldest of them all is the plan of Bálint Koltay, who directly pursues Mary's hand. However, the young ones fall in love with each other so deeply that Bálint stands by Mary even when the "wealthy" Gruber informs him that he's bankrupt. At this point, the only thing left to arrange is for Bálint, who poses as a landowner, to actually present a noble castle to his future father-in-law.
