Streaming A Trav

Rookery Nook is a 1970 British television production by the BBC based on the play Rookery Nook, one of the Aldwych farces, by Ben Travers. It features Richard Briers, Arthur Lowe and Irene Handl. First transmitted by the BBC on 19 September 1970, it was made in colour on videotape, but now survives only as a monochrome telerecording.

Carried by an immersive sound environment that plunges us in the reality and the perceptions of these resilient and inspiring people, this film questions our own blindness face to violence and suffering of our time — despite the overabundance of images that reach us — and highlights the urgency of lending an ear to hear these stories.

Moscow, the years of perestroika. The quiet life of Eduard and Pavla turns into a nightmare one day. Edward accidentally kills his attacker while protecting his comrade in a fight. Both go to jail, and his friend commits suicide. Suddenly, the hero of the film is offered a deal to get him out of prison. The task seems to be simple - you need to deliver a mysterious suitcase. Soon, Edward realizes that he is becoming a participant in a terrorist attack...

After receiving a scolding for falling asleep on the job, Cupid is sent out in search of potential lovers to unite. While flying over a city, he finds a ballroom dance and identifies a likely couple. He is successful in getting them to meet, but many obstacles still stand in the way of Cupid achieving his goal for them.

Citizens across Europe who used to belong to the lower middle class have fallen into poverty. An in-depth investigation into the precariat, a new social class of financially insecure citizens who, although they are employed, find it very difficult to make ends meet.

Beginning this "personal journey" with his childhood passion for the movies, Martin Scorsese offers a provocative, multifaceted portrait of a strange breed -- the Hollywood film director. From D.W. Griffith to John Cassavetes, he examines the triumphs and vicissitudes of the masters whose films prompted him to become a filmmaker. The question that absorbs him is, "What does it take to be a serious artist in Hollywood?" (Criterion)

Into the Island is the first chapter of Groundwork, a three-part film and exhibition series exploring the conceptual development and field research of contemporary architects cultivating alternative modes of engagement with new project sites.

Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a "little worse for wear." After stretching and yawning, he proceeds to disrobe. He throws off his coat and vest, but to his surprise and anguish, he suddenly finds himself clothed in a continental uniform. He throws this off in anger, but immediately a policeman's costume flies on him. This is in turn thrown aside in great rage and he finds himself clothed in a soldier's uniform. At last, thinking himself successful, he makes for the bed and finds a skeleton complacently resting on his pillow. The bed suddenly disappears, leaving him seated on the floor, and great quantities of bed clothes rain down from the ceiling. The picture ends leaving the audience simply convulsed in laughter. (Edison Catalog)

For the first time, a human herd of Americans joins the great wildebeest migration across the Serengeti.

"Listen to the grass grow" is a short abstract personal memory; sometimes too emotional, sometimes too illogical. But that’s the way our thoughts are floating in the space of our consciousness. This is the story of Maria. We are observing her at the beginning of her ‘new life’ in a new and unknown place. An unfamiliar house, she has no memories here, not yet. Her past belongs to other spaces, far away from here. She’s exploring this new place with her body, in order to awaken its physical memory and to reach an inner authentic movement. Maria is trying to feel this place; her body is trying to feel this space; her movements, driven by old memories, are filling the void.

A drunk crawls into a barrel. Some boys push the barrel into the street, where it rolls hither and yon for five minutes of screen time, doubtless with the same scientific curiosity of people observing the old woman who swallowed a fly; we don't know why either started the whole process.