Streaming A Trav

In SFRJ, the state officially takes care of all it's citizens. Every child is a good little pioneer. However, in reality no one (especially not the state) takes care of Roma and many other poor kids leaving them to poverty and the streets.

Live from Astroworld Festival on November 5th 2021.

A sampler of the lives, places, and events which make up present-day Colombia, South America. Provides insights into the look and feel of Colombia, as well as Latin America as a whole.

1985, b/w, silent, 7min

Drawing from Flaubert's The Temptation of Saint Anthony, his letters, travel journals, and biography, this video layers fantasy, sexual obsession, morbidity, Romanticism, and boredom alongside the ghostliness of empty hotel rooms, aural atmosphere, and an homage to surrealist and horror films.

Part science fiction, part homage to film history, this short black-and-white film fuses images of the moon with archival footage of King Mohammed V of Morocco’s face. All this swirling imagery is set to an eerie soundtrack that takes the viewer on a surreal journey. (Heure Exquise)

Seo Taiji's 25th anniversary concert was held at September 02, 2017, which BTS also perform together with him.

A fisherman throws himself into unknown waters, where fish have long gone, wrapped in silent mystery. In this journey without return the landscape sometimes assumes the role of the other and the other soon reveals the reverse or a mirror of him self in the ineluctable solitude of the horizon.

In this engrossing Sci-Fi thriller Wes Katzenberg (Keith Vinson) used to be a practicing physician who had everything until one of his medical patents went awry and killed a patient. Now he is living on the streets, claiming he has invented a time machine, all the while being investigated by an unorthodox detective for the disappearance of his wife. Unconvinced by his antics, the detective (Leonard Waldner), who's battling demons of his own, scours the dark underbelly of Los Angeles hoping to prove that Wes is guilty for the murder of his wife, Mia (Laura Aidan). Is Dr. Katzenberg really a crazy time traveler, or is it all a ploy to throw off the detective's relentless pursuit. All is revealed in the end of this mesmerizing story delivered with stunning performances from an outstanding cast Directed by John Martini.

To film without looking trough the viewfinder; to emulate a tactile, subconscious vision. This was the intention of "A traves de las ruinas", made during the Falklands War (April-May 1982). The camera is a vacillating gaze that moves about in the darkness or is blinded by flickering. At the beginning, it delves into the sea, later it represents aerial bombardments through urban lights. Silhouettes of human figures appear that never manage to connect with each other. Scarcely lit places, photographed on the "threshold or exposure"; wintry, generalized interaction of spaces, distances and dynamics. A continual present made up of intuitions and imprecise memories.

The story continues with the next installment in the "Time Travelers" trilogy. Four months have passed and the team is still trapped in an alternate present. Now, with Frost leading the world as president of the USA, the group must find the remaining crystal and change the past to fix our present.

A woman makes clothes in a basement but someone keeps interfering with her. She is angry but she doesn't know who she's being angry at. 'She' is actually a manikin and she's about to kidnap someone to ask for ransom money. The energetic and lively editing and sound are much alike Kim Gok and Kim Seon's previous work but their message to society is very direct and straightforward. The highlights of this movie are the unique narrative structure that twists the typical customs and the eccentric images.

Filmed in Rwanda in April 2004, during performances of the show Rwanda 94, in the context of the 10th commemoration of the genocide of the Tutsis and the massacre of Hutu moderates. How can theatre question reality when faced with the primary actors of the story told on stage? The intense, cathartic, active answer of the Rwandan audience brings to the fore the current concerns of the survivors. What is life like for them 10 years after the genocide? Echoing the issues in the play, "Rwanda. Through us humanity..." allows the survivors of the genocide to speak out, in their current reality, during this special period of mourning. The memory of the genocide is sought out, is established through the traumatic awakenings, the evocations, the disinterment and dignified burial of victims, the fears and worries with regard to the threats that still weigh upon them today.