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This documentary takes viewers on a rare and remarkable journey to Mt. Kailash, a 22,000-foot-tall holy mountain so deep in the Himalayas of Tibet that only a few thousand devoted souls make the pilgrimage to it each year. Following ordinary Tibetans who undertake the sacred trek, this program examines why those faithful few who circumambulate the peak believe that the journey helps them attain spiritual enlightenment.
Yedoye Travis celebrates his accomplishments over the past year, reflects on picking up skateboarding at 29 years old and shares why he’s tired of anime.
In April 2006, my friend Nikolaus Scholz and I flew to Sana'a, the capital of the Republic of Yemen, and traveled to Shibam, the legendary mud-brick skyscraper city, the ancient „Manhattan of the Desert“. Following an invitation of a German development cooperation program, Nikolaus was producing a CD – Jewel of the Valley–, featuring music played by the Shibam District Music and Traditional Arts Ensemble, a group of about 20 musicians. As usual, I filmed whatever caught my eye. It's a very personal travel journal, and despite these enchanting sites, it lets you forget about where you are. A film for meditation. Even though I'm capturing the light, people, und things, it is my way of looking at them that makes itself clear and invites viewers to look at themselves and become aware of their point of view, the subjective nature of perception.
Surfer and author, Allan C. Weisbecker, accompanied by his dog Honey, goes on the road in search of waves to ride and "to find out what happened to America."
Imagine if space was for everyone. Maybe I'll go one day.
Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease. Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.
A short documentary focusing on the surfer culture and tourism in Nicaragua.
When a new father suddenly loses his own dad, an opportunity to travel back in time for an evening gives him a chance to end things on a better note.
Travelling Alone is a movie about men. More precisely, it's about what's absolutely left to be said, on the social and artistic levels, about male sexuality. Travelling Alone is a cinematographic meditation on men and their libidos. This film tells the story of a man who brutally finds himself confronted with the vicissitudes of his own desire. Little boys are not taught that their virility, their capacity for turgescence, may one day go bankrupt. What happens then? What happens when a man, still young, discovers that his best years are behind him? That his life, from then on, will be an endless work of mourning his access to sexual pleasure? Such is the topic of Travelling Alone: a man who searches his past to find the first signs of what was going to be his fate as an adult.
Engineer Roger Courteville, accompanied by his wife and mechanic Julio Kotzent, undertakes a 10,000 km raid across the South American continent. The use of the car turns the crossing into an impossible adventure.
In 1928, the Jean d'Esme expedition crossed Cameroon, Gabon and Congo. Along the way, the natives of various ethnic groups willingly let themselves be photographed, show off their skills, explain their ritual dances, and display their tattoos, hairstyles and jewelry.
Documentary about the life of transvestites, the difficulties they encounter in a large city like São Paulo, their survival in the face of prejudices and problems experienced as social and sexual marginality.
An interview with a group of people shot in October 1969, some of whom were involved in The Weathermen’s "Days of Rage" actions. As those present recount the significance of the actions, and the possible ramifications on the movement as a whole, some critics voice serious complaints. In addition to videotaping these discussions, the Videofreex also weigh in on matters.
Sampling from 70 years of filmmaking, 'Traveling Shots: NYC' moves through the streets, alleys, bridges and subways of New York City. This urban portrait inter-cuts the past with the present, the real with the imagined on a remixed trip to the iconic movie city.
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
A 10 minute film that depicts a man and a woman having an argument. This domestic drama is enacted simultaneously on two separate projected screens—the man’s space is described by a chair standing against a blank wall, the woman’s by a fridge and a fragment of kitchen sideboard. Each participant is isolated within his and her own screen, the borders from one to the other being crossed by thrown objects such as a glass of milk or a frying pan and, occasionally, by one of the participants, who, unable to contain their rage, launches an attack across the divide. A soundtrack of tuning into a series of different radio stations accompanies the film, seeming to articulate the switching emotional tenor of the scenario as it moves through confusion, anger, sadness and resignation.
Women workers in textiles talk about their works while being focused by six artists and film makers in 5 countries. Who are they? Why do they engage in textile? We take time to listen, to see, and let the film mingles the sights. We are looking beyond what we have already known, wish to meet women who have their fingers on the pulse of textile industry. The film wonders through a world factory, along with the women, to labor, to live, to revolt unexpectedly. The picture of women and the work changes by then.