Stream Complet Le Triomphe De Lamour Episode 25

A documentary portrait of French actor/singer Yves Montand.

The French Ministry of Culture commissioned films on the cultural decade "en chantiers". Robert Kramer makes one of the six short films that illustrates the cultural side of the decade Mittérand. Here we see a director of cinema in the suburbs of Caen, in her room lined with flower paper. This for art and essay cinema. There, the critic Serge Daney in a sailor's cap, for a chat by the fire. An overview of French cinema today, "Pickpocket" on television. Then back on you. The camera slides on the desk that we imagine to be Kramer's. Finally, the camera flies over Paris, slides along the facades, stops on a window, entering the skylight: "The films invite to see ... I invite you to see Jean Genet's hotel room."

In the public swimming pool of a Parisian suburbs, everyone appears equal: Ambroise, an impatient businessman, and Yannis a regular. Both are the same age, wear the same swimsuit, but come from different neighborhoods. At the pool, where measures of class are less visible based on what one wears, a potential friendship between the two develop. As Ambroise tackles his aqua-phobia, the comic fable unravels representing the absurd reality of class struggle.

In a small village in eastern France, the same gestures are carried on daily. Chopping wood, milking cows, sewing a garment, growing vegetables from the earth... These are all actions repeated from generation to generation, day after day, until bodies are exhausted.

In this film, Albert is an eccentric inventor of missiles who comes under fire from his investors when his first prototype explodes. Even his sympathetic mistress has her doubts, as Albert lashes out in a verbal tirade condemning those of little faith in his genius.

In his younger days, a dashing officer, Colonel Durand, compromised Madame De Monthieux, who entered a convent. Now, he is garrisoned at Strasbourg.

In a village in the north, the life of a family is turned upside down : the mother's affair denounced by her opportunistic son, and the father weighed down by his failing business.

Having discovered that his son will send him to a nursing home, an old professor (Marcello Mastroianni) converses with the memory of his late wife. She encourages him to tell his son that he is sad and fearful, and does not want to move. Recording of Marcello Mastroianni’s last stage project.

A family living in poverty, in a tiny house with no furniture. When mama goes to sleep, the youngsters head out to rustle up some firewood. Apparently that's illegal, so some forest rangers seize them and the wood to bring to a well-dressed man.

A legless beggar sits in front of a church. Some people pass him by, others give him some money. Finally a flic demands his permit. The beggar hands it to hi and while it is being examined, gets up on his legs and flees.

Raynald is a family man who has been working in the same tire plant for over 30 years. This week, nothing unusual in his daily life: work, hockey games with the 'guys', family night. However, this week, Raynald will make the biggest move of his life.

The creation of a painting by Francis Savel (aka Dietrich de Velsa, director of Équation à un inconnu) in his studio in Montmartre: the white canvas, the tests in charcoal, the drawing, the arrival of color. Outside it is winter.

During the 29 years of the Duvalier's rule, mass crimes were committed at different times, in different parts of the country against people of all classes and social groups, political or religious affiliations and of all skin shades. At a time when Jean-Claude Duvalier is called to court, will justice decide in favor of the victims? More than 50 witnesses, for and against examine this issue in a powerful face to face.

Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec.

TBD - Need to watch it.

The film shows daily life in the city of Meknasy through the social and economic situation of people and the dreams of children.

The lack of material evidence left behind by Expo 67 is staggering. So remarkable, in fact, that we felt impelled to explore the site of the world’s fair in detail, searching for clues that throw light on its past – a kind of material archaeology à la Walter Benjamin, who sought in materiality the remnants and rejects, the traces of an ancient history that might reverberate down to the present.