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Moorish society allows a great deal of freedom in the relationship between men and women. In the tent, in this feminine place, men are admitted. In the city, in Nouakchott, customs have been adapted. The women receive guests in their living rooms. Hassan is a young man who roams the streets of Nouakchott looking for a girl to seduce. Through poetry, he perpetuates the tradition of courtly love. In their salon Aziza, Amina, Fatimétou and Farida listen to him and tell us about their dreams of young Moorish girls.
Max sees himself as a great dramatic actor but his friends all think he's talentless. So, he invites them to come see him in a play. Unfortunately, lots of things go wrong with Max's props during the production. And, following his big dramatic suicide scene, he finds that his friends have all decided to play a trick on him--though Max has the last laugh.
Who appears when we see ourselves in the mirror, make ourselves visible? What inner experience do we hide from others? In a double hand gesture, Claire Denis reminds us at the same time of Jean-Luc Godard (1930-2022) and of the actor Michel Subor (1935-2022), who played in four of her films and with whom Denis also remained closely connected in private. Denis juxtaposes a scene from Godard's Algerian war film LE PETIT SOLDAT (1960/63) with a miniature from her hypnotic work BEAU TRAVAIL, wherein she directly quoted Godard's scene in 1999. Michel Subor starred in both films.
We know what labour wreaks on the body, but what less visible imprint does it leave on the unconscious? The nights of twelve dreamers – sometimes recounted in front of the camera, sometimes with a voice-over that accompanies shots of office buildings or urban worksites – reveal how the capitalist system invades the modern-day psyche. Long shots of edifices with smooth surfaces and sheer edges instil a deceptive gentleness. Zombies, corpses, mummies, ghosts, skulls sliced open like an egg and emptied by spoonfuls… The images follow one after the other, no two alike, but the editing organises a gradation towards the vampirism and an insidious passage from night to day, from dreams to real working life.
While the Nazis occupied most of France, Jacques (Vincent Perez) has been active in the liberation underground. Now that the Allies have freed a significant portion of their country from German control, he and his buddy Michel (Matthieu Roze) can join the Free French army and fight with them to help bring about the downfall of the German empire. Both of them are quite young men, and their first love turns out to be the same woman, a lovely nurse named Christiane (Geraldine Pailhas). Michel woos her first, and she becomes pregnant by him. However, she is much more interested in Jacques, even though she is considering marrying an American solely for practical reasons.
Zoé, a pretty penniless girl, decides on the advice of her neighbor to embark on gallantry. After a brief failure, she meets a young boy, Jacques Lebreton who is about to get married. After causing the failure of this arranged marriage, she will have to play the role of wife of Jacques with his family, until the arrival of the uncle from America.
From coast to coast, from St. John's, Newfoundland to Vancouver, British Columbia, Jacques Godbout films a documentary chronicle of the political turnaround that was to follow the Meech Lake Accord. Following the Meech referendum, Quebec and Canada found themselves at an impasse after a long and ultimately fruitless negotiation, various social and political actors spoke out. Their comments, linked to film clips on the lives of important Canadian politicians (Sir Georges-Étienne Cartier, John A. Macdonald, Louis-Joseph Papineau...), draw parallels between the speeches of yesterday and those of the post-Meech era.
Lola, the wife of arms dealer Pedro Wassewich, is attracted to Ludovic, a young painter who turns out to be the emissary of a notorious gangster. He claims to have been sent by the latter to pick up a shipment. In fact, it's the police who, behind the scenes, orchestrate the operation to catch Wassewich red-handed.
The brave and moody François, a window washer by trade, has fallen head over heels in love with a delicious woman he spotted while working on the 17th floor of a building. From that moment on, all his dreams turn to the woman he doesn't dare approach. Fortunately, he finally meets her in Perros-Guirec, after following her on a train journey. She calls herself a chatelaine; he introduces himself as a writer. Will love triumph over these pious lies?
Comedic retelling of the events around the biblical character: Samson.
