Still Moving Streaming Avec Sous Titres En Français

Still Moving is one of the director’s most personal films, offering some insight into her artistic process. It is an assemblage of her father’s African collection, photographs made by Ottinger in the 1970s, footage of a theatre play based on Johann Nestroy and a rare artefact: an 8mm film document of Lil Picard’s birthday celebration—an artist who mingled with the Dadaists and Warhol’s Factory alike. It is an exhibition in the form of a film, a dedication to an adventurer father, a secret art museum, a cabinet of wonder: a whole universe on its own.

It is a work that gazes at the distance between stillness and movement, between scene and scene, between different entities and time and space. It pays attention to the usage, movements, and possibility of variations of the diverse 'distances' that exist between them. If it takes a long time to move from one scene to the next, and if there are things that can only be seen after some time or from a distance, the 'time-distance' is necessary for an image to appear and disappear. What if this work captures this 'time-distance'? When a scene/image contains a single space-time, it might enable different time-space, objects, matter, non-matter in a far distance to meet, even for a brief time. Based on such ideas, the work connects one scene to the next, the voices of anonymous speakers to another. It captures the distance and the sense of distance of the things that do not stay and cannot be reached. By doing so, it seeks possible formless connections and temporary coexistence.

The Choreographer and filmmaker have collaborated on the work under some rules. 1. To structuralize the movements such as behaviour, pose and gesture of the commonplace. 2. No to emotion. 3. No to style. 4. To study the condition of secrets to place the body. 5. Direct demonstration not depiction. 6. To equalize the strength of movements. 7. To ensure the initiate of movements independently that does does not contribute to the representation. We did shoot during the day, and collect the images of ordinary landscape without intention. Projecting the inappropriate images of reality in juxtaposition with side by side would lasts as the form where might be acquaintance rather than the image of metaphor.

A timid photographer searching for the essence of life in a park full of statues works up the courage to ask a couple for their picture.

Short film by photographer Robert Mapplethorpe. A portrait of Patti Smith.

This film is still a close part of me. I don’t think I could make another one like this again. It deals with space on many levels within a single movement, a movement that has a circular form that involves each viewer within the film itself.

A sculptor finishes her final work after receiving a terminal diagnosis. As her body loses strength, the statue seems to take on a life of its own.

Still Life Moving, shot in April 2020, shows the artist and her housemate marvelling at the beautiful colours that sunlight casts through various coloured drinking glasses on their kitchen counter. This work - like Geraldine Snell's moving image work Dancing, exhibited at S1 Artspace - is from the series Light & Love. These works were originally shared on social media to provide a soft, haptic counterpoint to the quick, slick imagery we are subjected to in digital space, in unconditional eternal testimony to the sublimely mundane.

Tne documentary film Still Moving: Pilobolus at Forty, directed by Dartmouth professor Jeffrey Ruoff, celebrates Pilobolus by documenting their 40th anniversary performance event at Dartmouth College while also flashing back to the early years of the company through recollections, video, and photographs. Still Moving is an apt title because, as the documentary makes clear, 40 years is a long time for a dance company to exist, particularly one that was built and continues to thrive on collaboration.

The earth still moves, under the torsion of the serpent.