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Elīna returns to the summer house of her childhood to show it to buyers. The visceral presence of her dead grandmother forces her to reflect on the legacy of failing familial relations – and how she and her mother are approaching a similar fate.
The production is a poetic impression, its tone is mournful. The film shows the landscape of Vietnam two years after the end of the war. There is no commentary in the production, the image is accompanied by Mozart's composition.
Early video-installation by Dalibor Martinis, where the artist turns the TV set into a still life and info news into "circulus vitiosus".
A man wanders his neighbourhood before going to sleep in his living room chair surrounded by the laughter of his grandkids. I will not wake up.
An unexpected letter forces siblings Bernhard and Lydia to confront each other and to deal with their family history.
A portrait, in the style of Giuseppe Arcimboldo, hangs in a room in a decrepit mansion. A knife and fork lying on a table below awaken from slumber. A piece of fruit falls from the painting to the table, finding itself immediately in danger.
A photo shop owner and her grandson join forces to save the shop and the nearly one million negatives that document Israel's defining moments.
In the dream I had one early morning in 2014, I was sitting in the backseat of a car. The driver suddenly turned to look at me and said: Why aren’t you filming? It was my second elder sister who had already passed away. After her death, I began to keep a diary and take pictures. When I got a video camera, I began to film the daily life of my family. I filmed out of the fear of death and loss. The idea was to capture everything on film before it disappeared. 2015 was the 20th anniversary of my sister’s death. That dream seemed to tell me to face her death. Death did not stop the passing of time, and the family members I was filming continued to avoid their grief which hadn’t subsided with time. Birth and death continue to alternate in our lives, and we are always getting ready for the day when we must say goodbye.
Do you reveal your dreams to anyone or do you prefer to keep them for yourself only? A group of people of various age get together deliberately for the purpose of telling others about their dreams. They do not have any prophetic inclinations, they do not want to work through traumas or find some hidden sense. They are open, ready to understand others and have the need to listen to one another.
A city symphony of Berlin.
Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.
As point of departure French calendar holidays and traditions symbolised by a vegetal emblem, such as roses for Saint Valentine's Day. Ecologically absurd, the flower industry is also the terrain for an imbalanced North/South relationship, with the plants massively sold in cities of the North often sourced from the countryside of the South.
In the dream I had one early morning in 2014, I was sitting in the backseat of a car. The driver suddenly turned to look at me and said: Why aren't you filming? It was my second elder sister who had already passed away. After her death, I began to keep a diary and take pictures. When I got a video camera, I began to film the daily life of my family. I filmed out of the fear of death and loss. The idea was to capture everything on film before it disappeared. 2015 was the 20th anniversary of my sister's death. That dream seemed to tell me to face her death. Death did not stop the passing of time, and the family members I was filming continued to avoid their grief which hadn't subsided with time. Birth and death continue to alternate in our lives, and we are always getting ready for the day when we must say goodbye.
Still Life (2024) is a self-reflexive documentary and intimate portrait of renowned self-taught painter Yeung Tong Lung (b. 1956, Fujian), best known for his large-scale figurative paintings that capture daily life in Hong Kong’s busy urban landscape. With a cinematic quality, Yeung’s paintings compress multiple perspectives and spaces into one canvas, coaching his audiences in different ways of seeing. The film follows Yeung over a three-year period, including his preparations for his 2021 solo exhibition Daily Practice at Hong Kong’s Blindspot Gallery.
A photograph is a window into the past, but sometimes the border between the past and the present is not entirely clear.
In Haren Das: 21 Studies of Life, Amit Dutta portrays the remarkable ability to infuse static images with vivid life, giving an immersive experience to Das’s printmaking, wood engravings, etching, and linocut, used to capture landscapes, seascapes, and flora and fauna indigenous to the Bengal region.
Eight close friends soak up their last day of summer together on the beach before parting ways for college.
The alleys of downtown Manhattan become a modern killing field when corpses begin turning up, disfigured and gruesomely posed to appear as pieces of art.In the frightening climate of the "Art Killer", Peter Sherwood, a struggling musician, is hired to compose for a patron of the arts, and thinks his dreams are coming true. But as the body count continues to rise, the clues surrounding the murders oddly begin to lead police closer and closer to Peter and his new job. Suddenly, all eyes are on Peter and he must scramble to find the real killer - before he becomes his next masterpiece.