Sous Le Nom De Tania

Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.

Mixing interviews, rare archival footage and film extracts, the film shows how Melville's works were impacted by what he experienced in his youth during WWII, and how it structured his whole approach to cinema, not only in its thematic but also in its aesthetics.

A documentary on the genesis, writing, shooting and analysis of the film "The Name of the Rose".

A little boy, "the nameless", lives outside the world in the place he helped shape. He lives there protected and locked up at the same time. One day, sounds and sights from outside awaken his desire to see the world. He flees, pursued by his abandoned creation and terrified of the unknown. He then meets a little girl.

The Amazon flows lazily through the goldmine-gashed landscape of northern Peru. Using real eyewitness accounts, directors Bénédicte Liénard and Mary Jiménez tell the story of a young woman who winds up in the clutches of forced prostitution when her initially hopeful attempt to escape the constrictions of her village goes wrong. Step by step, she is robbed of her moral and physical integrity. The film reconstitutes a space of dignity and returns voice and identity to a fate formally made nameless. With its powerful imagery, the girl’s traumatic odyssey embodies the destruction of life in a capitalist world in connection with horrific natural devastation.

Tina and Fred, a couple in their fifties, are desperate in their search for a boy's name. But for whom? And why? A thoughtful look at a social issue.

Tunisia, early thirties, the young and plump Bajou, lives modestly with his parents. One day after a flood, his father suddenly disappears. Thanks to his uncle and his cousin Marcel, he moves with his mother Oumi to work for the wealthy landowner Mr. Scali, a talkative and boastful man.

Two enthusiasts of genealogy bring together as many descendants of Moise Blin as they can. Moise Blin was an 18th century Alsatian Jewish peddler. This gathering reveals the chronicles of one family, from before the French Revolution to present day: an exemplary history of the Jews, from persecution to assimilation.

The encounter of a young doctor and a werewolf is the setting of unexpected results in another example of Eugène Green's taste for the fantastic.

Thomas, a 25-year-old young man, goes to social events without managing to fit in with the crowd. One evening on returning from one of them, disappointed, he decides to reproject himself there mentally. It is then that he will meet a mysterious young girl there...

When Vlace is suspended for hitting a classmate, Sasha is called to come get his son at school and has no choice but to take him along on his delivery route. During this intimate journey, we discover what provoked Vlace's uncharacteristic act, as father and son find their way toward a new understanding.

Names without bodies On October 3rd 2013 many young people with names such as Selam (peace) or Tesfaye (my hope) left us all at the same time. Naming our children is a way of telling the world about our hopes, our dreams, our beliefs, or about the people and things we respect. We choose meaningful names for our children, just as our parents did for us. For years these names, and their load of flesh and blood, have left their birthplaces, going far from home, composing something like a written message, a message which has reached the threshold of the Western world. These names have defied manmade boundaries and laws, have disturbed and challenged African and European governments.

A video to commemorate the victims of the disaster that occurred on October 3, 2013, off the coast of Lampedusa. Its intention is to force the institutions and civil society, in the words of the director, to “name each and every one, to make us aware of how many names lost their bodies on one single day, in the Mediterranean sea”.

Far from Standardised visual recording, Akerman and her accomplice, the cellist Sonia Wieder-Atherton allows us to discover a fine moment of contemporary music.