So This Is C

A Cine-Poem. A journey through Paris. A memory film. Three stories, dedicated to one pioneer of cinema.

Animation short.

First production by Directors’ Company. The film depicts the lives of a young man with dreams of becoming a rock superstar and his two friends.

The intertwined story of two boys.

The piece presents a series of bizarre tableaux, many involving cinematic voyeurism, blurring of the living-dead borderline and a healthy amount of stabbing, of oneself and of others. A catatonic fellow gets costumed as a ghoul; a literal tree-hugger, ecstatic in his arboreal embrace, gets stabbed; a bespectacled fellow with a Bolex-y camera goes around documenting it all. (Written by Colin Marshall)

Mobster Louie the Wolf sends an unsuspecting handyman (Keaton) to gather up the collection money owed him, hoping the sap will get rubbed out by Slugger McGraw, a rival gangster. Keaton, however, innocently escapes all the perils that whiz about him without his even knowing it, much to the consternation of McGraw's hoods. When he finally does wake up to Louie's plot, Keaton provokes various policemen to chase him and leads them back to the hoodlum's hideout.

Bosnian province, today. Aida has broken off a relationship with the abusive Kerim and wants to go on in her life. But ties are stronger than she thinks and mundane everyday life draws her deeper into darkness. Inspired by true events.

¿Y Tú, Cuánto Cuestas? (So, what's your price?), it seems to be the constant over this excellent documentary work, performed by Olallo Rubio, a young Mexican director. The movie shows two faces of the same issue: the American influence in the Mexican culture. you will remain thinking after the movie ends. Everything has a price? Everybody has a price?, so, What's your price?. Strong and ancient differences between two distant-neighbor countries are discussed under each opinion. Both Mexican and American-common persons give its particular point of view about the other, but also about themselves. Developed with a extremely low budget, but with inventive and imagination, this movie shows many of the key aspects in the Mexican-American relationship. However, the movie is not just a compilation of statistics, the producers manage to make it fun too. That's one of it's good points. But never the only one. Well developed, absolutely recommendable.

The inner demons of an aspiring writer, whose dissatisfaction has pushed him to alcohol and drugs, lead him to his self-destruction under the guise of confusing political positions.

Sara must continue with her daily routine while supporting René, her husband who is sick with terminal cancer.

Ahn So-hee. Her bold, honest, bold 19-gold talk begins. In order to repay the fans she has returned to, she reveals all her private lives. The story behind the filming scene, which she can't reveal anywhere else, the incredible memories of the first scene that embarrassed her, the actors who struggle with actors, and the young women who are not actors.

A musical inside a lecture hall where people unexpectedly recognize themselves appear.

On the night that 17-year-old Dong-jun's only friend, Kang-hyeon, fell from a high place, Dong-jun made a choice that determined the direction of his entire life. Dong-jun's regrets and remorse following that choice made him experience life in three different universes. These are the various lives of the 42-year-old Dong-juns who live different lives in Seoul, Daegu and Busan 20 tears later.

"So You Call Yourself a Man?" is a story revolving around the lives of 3 men Tuan Khang, Nhat Minh and Duy Anh.

Fourteen-year-old Jeanne has lived in a farm commune since she was two years old. Her mother and father live in city communes and rarely visit. This is one of the commandments given by Otto, who rules the commune: children are to grow up without parents. Knowing nothing else, Jeanne enjoys her outdoor life, surrounded by lots of other children, until she falls in love with 16-year-old Jean and her childhood paradise begins to fall apart.

Documentary about children and accidents focusing on a family who lost their son who fell down a well.

In Garcia Lorca's mother tongue, death is a woman: "la muerte". Daniel slips into the role of "death as a female" and speaks before a video camera on the life and death of the famous Spanish poet. Then the story begins.

A mother and a daughter in a bond beyond time, waiting to move forward among absurd dialogue, injections, plants and e-mails.

As a mortal threat is approaching, a circus troupe decides to perform their last ever show.