Snow The Snow Wite

A boy searches for his missing father, who fell into a ravine while hunting for a rare Burmese butterfly. To do this, he must seek out the ethnic Rawan guide who was helping his father.

Like a lone cowboy, Sergei passionately devotes his life to traditional horse breeding in the impenetrable Arctic Sakha; permafrost and the absence of roads, electricity and channels of communication mean that there is nobody else to rely on but oneself. Sergei is sensitive and introspective; he truly cares about his family, community and treats nature with the utmost respect. He loves the independence and freedom this life brings, despite the immense sacrifices that it necessitates, such as total isolation and being a stranger to his own children. Spectacular camerawork characterizes the Sakha horses in all their magnificence, and juxtaposes the post-soviet towns and the boundless taiga landscapes, where the cold bites through the screen.

Kids build a donkey, a rocket, and a fortress out of snow.

In 1941, a Greek soldier accidentally kills a German soldier and carries a burden on his conscience. After many years, the memories return and this man wants to return the personal belongings, which he had taken from the dead soldier to his family, as a last tribute and in this way to save his soul. However, his forces abandon him and Myrto's granddaughter is called to fulfill this odyssey ...

In 1955, Paramount News, “the eyes and ears of the world”, projected in movie theaters around the United States images of a plane landing in Puerto Rico carrying 2 tons of snow and a family from New Hampshire, and of the thousands of young people that received them in a baseball field. These 40 seconds of film are possibly the only surviving audiovisual document of an event that persists as a foggy memory in the conscience of most Puerto Ricans. Rain with Snow is a double projection that tries to visualize the ideological production processes behind these images, zooming in, stretching out and manipulating the last cinematic vestige of this moment. Through editing, intentions are subverted and new meanings are uncovered which were repressed in the construction process that trivialized this event to turn it into easily digestible information.

Video in collaboration with Magdalena Bažantová. Project was created at London and Reykjavík during the global financial crisis in early 2009 and it is based on Grimm's fairy tale Snow Queen.

Set in 1981, the movie tells the story of Kars after the 1980 coup d'état. At that time, the region was covered in snow for months, and in addition to the many problems brought about by the coup, it was impossible to find coal. Coal was a blessing that only privileged people and some state institutions could access. Serhat, Gürbüz and İbo, three close friends, start looking for coal instead of playing games during the report card holiday following the coup. Their struggle for heating, one of their most basic needs, will turn into a story of solidarity that will shape their childhood.

Games and precautions in winter from the perspective of a child.

Skiers from the sports school meet snooty amateurs.

A film about a show and the issues the players face during their collective artistic work. Will we ever be able to leave our cocoons towards a collective movement? How strongly do we believe in those who should lead us? How strongly do they believe in us? We try… We fall… We rise… We try once again… Will we ever make it?

A short film based on the German fairy tale.

A disconnected family find themselves at a hospital. The father is in urgent need of a kidney transplant and all of the family members are compatible donners. This situation brings back old conflicts between them, all to settle with an odd reconciliation.

A lonely bear is wandering the arctic looking for a friend.

Željka is a 40-year-old woman, living a quiet life in an isolated village. An unexpected visit will take her back to the past, shaking up her daily routine.

A new landscape emerges where the so-called perpetual snows disappear. The construction of the first artificial “super-paramo”, a high mountain tropical ecosystem, becomes a portal to that ancient time of ice. Different audiovisual materials are brought together to build a heterogeneous idea about the thaw and possible origin of the paramo ecosystem.

The film is in four parts. First, the camera pans the Kremlin and Marshal's Bridge. Sleds are parked in rows. Horse-drawn sleighs run up and down a busy street. Next, we visit the mushroom and fish market where common people work and shop. In Petrovsky Park are the well-to-do. Men are in great coats. A file of six or seven women ski past on a narrow lane. Last, there's a general view of Moscow. A slow pan takes us to a view above the riverfront where the film began.