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Just stepped into society, Sunwoo gets drunk at the first company gathering and encounters Seong- gook whom she walks along with through the night. A warm-hearted film with ordinary events.
Border guards discover footprints in the snow near the border and become suspicious.
A nature documentary about the predators in the Swedish winter mountains: the owl, the bear and man.
Avant-garde film about drug addiction made by the famous surrealist poet Ljubiša Jocić.
A snowman carries a freezing child to shelter.
The film is based on the fate of the writer Ivan Shukhov (1906-1977). This talented man lived a difficult, long life. The heyday of his talent came during the tragic times of the cult of Stalin's personality, when few of the creative intelligentsia were not injured. The picture is based on the thoughts of people who knew the writer intimately.
One of the last films Georges Méliès made. By now, he was under contract for his former rival Pathé, where he made a few of his most lavish productions, including this one. Here, Méliès performed in front of the camera as the Devil […]. His incarnation of Satan this time is a sprightly antagonist who kidnaps a princess by locking her in a cage and taking off through the sky in a dragon-pulled carriage. […]
Worms in the Snow is an experimental and timeless fiction in black and white. A film of fragments. A surreal policeman. A movie to BE IN THE MYSTERY.
Sverre Nøkling is not your typical outdoorsman. For the past 30 years he has been living on his own in snow caves in the Norwegian mountains. Always on the move, using a pair of old wooden skis, he goes from one snow cave to the next in search of shelter from extreme blizzards and bitingly cold wind. A true expert in outdoor survival techniques, this wilderness man refuses to be reigned in by modern society. Instead he has chosen a way of life that flies in the face of conformist consumer culture and the materialistic modern world. Sverre's life is a tale about the quest for total freedom as well as the price one pays in seeking it.
Two park benches, chewing-gum, a student waiting for her exam results, a strange young man who hangs around the park walkways, another who is bored. And a lot of sunshine. We are in a little southern French town at the end of June. Beads of sweat dot skin, skirts are shorter. The afternoon has only just begun.
Dan's adventure begins with the first tomb-hunters and a giant of early Egyptology.
Two men discover that they have a close relationship with the same woman. They both love her. Without saying anything to the woman that they know about the other, they both try to win her over.
Mina is a young woman who has three daughters and now she is 9 months pregnant. She loves her life very much. Her husband would like to have a boy, but she hasn't been able to deliver a baby boy so far. The people of her society believe that a man must have at least one son and they put pressure on her. The relatives and her husband tell her that if the 4th baby is not a boy, she has to allow her husband to marry another woman so that she may give birth to a boy. Mina has decided not to know about her baby's gender till the day of the delivery to overcome all the stress and tensions, so she hasn't taken a Sonography test and she waits until the baby is born.
A girl made of unmelted snow has fallen in love with the dragon who brings spring. A story of changing seasons and thawing hearts.
The full title of this Dutch film is Pervola: Tracks in the Snow. A stockbroker moves away from his home village of Pervola and puts his two sons in charge of his business. Older brother Hein (Bram van der Vlugt) cheats younger brother Simon (Gerard Thoolen) out of his share, claiming that Simon was disinherited because he is homosexual. Hein grows powerful, while Simon seems to weaken with each passing day. Flash-forward several years: the dying stockbroker calls his sons to his side. Faithful Simon agrees to dad's wishes that he be buried in Pervola, but Hein doesn't want to go to the trouble of transporting the body; he finally agrees to help Simon, out of fear that his brother will learn of his long-ago treachery. While arduously journeying to Pervola with the father's body strapped to a sled, Hein inadvertently confesses; Simon, however, is of strong enough moral fibre to forgive his brother.
In the aftermath, when the world is isolated and cold, a painter becomes obsessed with his work.
