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Sawa Yukimura is orphaned after her family are murdered by Kuchinawa to obtain a quantity of their blue blood which has the ability to transform humans into "Changelings", demonic beasts associated with animals. She unwillingly becomes an assassin for Nue in the hope of seeking revenge on her family's murderers.

For 49 years, Ah Eng and Dou E were trapped in the "513" timeline. In 1969, post-election tensions gripped Kuala Lumpur when the Cantonese street opera "Snow in June" showcased Dou E, portrayed by the troupe master. Amid a riot, Ah Eng and her mother sought refuge with the troupe, losing contact with her brother and father. In 2018, Ah Eng returned to Kuala Lumpur and unexpectedly encountered "Dou E" at the cemetery.

An undercover policewoman tracks seven escaped convicts to the deserted island where they've set up a camp.

A dazzling and unconventional documentary where a filmmaker explores their first experience of great loss after her best friends Chun and Yueh go missing. Trapped in a cave in Nepal for 47 days, Yueh survives. Chun does not. Yi-Shan offers an intimate window into the complex relationship of survivors as she traverses the intricate terrain of grief and gender with Yueh. Their conversations are steeped in themes of guilt, perseverance, and identity as they navigate Chun’s legacy with ease, even as elders around them fail to acknowledge their friend’s queerness/transness posthumously.

Min, a Korean boy, moves to Japan with his father who is a potter. One day at a local shrine, he meets Nanae, a beautiful Japanese girl with stunning eyes who is aspiring to be a painter. Min falls in love at first sight and finds out that Nanae attends the school to which he has just transferred. Their friendship develops fast despite their cultural and language difference. When Min's grandmother falls ill, Min returns to Korea and Nanae is nowhere to be found. Had his true feelings for Nanae not been apparent to her? Why has Nanae disappeared without a word?

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?