Side By Side By Susan Blackwell Falsettos

Istanbul - the city between East and West - is considered among insiders to be the gay Mecca of Europe. Although European lifestyles have been adopted easily and often in Istanbul, today the city and her residents face a growing number of conservative, traditional forces. Within the tension between the old and the new, between the traditional and the revolutionary, and between stagnancy and change, we find our protagonists: gays and transsexuals from every walk of life. The Other Side of Istanbul is a film that follows these young men as they come to terms with their "otherness," and traces their struggles with the authorities, with the military, with society, with their families and, of course, with themselves. Theirs is a fight for human rights, for freedom, for a self-determined life, and with each success and failure they experience, we are offered a glimpse at The Other Side of Istanbul.

Directed by Ghaleb Chaath.

Itsuki, who lives on welfare with her sick mother and baby sister, has given up on her dream of becoming a nurse and been hopeless for the future. One day, a transfer student named Kazuma, who has a secret about falling behind in his previous private middle school, joins Itsuki’s class. He also struggles under pressure from his elitist father. Sparked by this encounter, they break out of their circumstances and gradually find hope for the future on their own, involving many adults around them.

Having received a serious injury as a result of a car accident, Nazik Avdalyan dropped out of the big sport for 7 years, then came back and, despite the distrust of others and inhuman bodily pains, became a double European champion.

In a world in which reflections lead their own lives behind mirrors, the slightest mistake at work is unforgivable.

A seamstress, Rena, unable to deliver a dress due to the strict safety measures of the hotel in which a famous football player is staying, gets really upset and hits him. Witnesses to the incident believe that she is his mother. Soon, several major representatives of other football teams beg her to persuade him to sign a contract with them.

The Caucasian Doug (Steve Hedden) and the Afro-American Donnie (Andre Ware) simultaneously receive a letter with a surprising inheritance of lands. They travel and arrive in a trailer park that belonged to their unknown mother. Both losers and racists, they have difficulties to accept each other. But when a gore killer creature attacks them, they have to join forces to save their lives.

This hilarious short film Covid side effects shows how pandemic and physical distancing times can be helpful when trying to break up with a partner with whom one hasn't had strong passionate feelings in long time.

Between the end of the 19th and the beginning of the 20th century, Cesare Lombroso was one of the most famous Italians in the world. He measured the shape and size of the skulls of many criminals, and drew the conclusion that their somatic features were reminiscent of the primitive man. He thus developed a new pseudoscience. Through some short docudrama reconstructions and the archive documents by the “Lombroso” Museum of Criminal Anthropology in Turin, the film retraces some of the milestones in the life of the scientist who, to this day, still raises controversy and heated debates.

This is a candid and emotional project of Russian-Israeli writer and screenwriter Dina Rubina. Together with director and her close friend Stanislav Mitin she goes back to her childhood and youth spent in Tashkent, contemplates her creative early days in Moscow, and shares how she feels about immigration to Jerusalem. The film is full of excerpts from the writer’s famous works, episodes from films based on her writing, and sketches from her current life. It is dedicated to the anniversary of Dina Rubina - one of the most widely read contemporary authors and recipient of many international awards, whose books are translated into 38 languages.

Ciro, Marco and Ettore are three friends who dream of becoming big shots in the world of organized crime. Actually what they are looking for is a permanent employment rather than non-stop gun action, extortion and dealing. Daddone, on the other side, is totally frustrated with the outcome of his criminal career and dreams of a coup that would make him the godfather of the gangs in town. Unfortunately, no one takes him seriously, least of all his own wife who treats him like a cheap small time hustler and she always sends him on errands.

You say you’re interested in film and you’ve never been to the Moviemento? You are hereby put on cineastic probation – at least until you watch Bernd Sobolla’s documentary.

Sunny Side of the Street follows a young truck driver who is looking for his wife amidst the riots and commotion in 1998, Jakarta. During his search, he meets a Chinese Indonesian woman who’s hiding from the masses. They end up sharing a journey through the night, in hopes of getting back to their families. After a tense encounter with a group of rioters, the driver fears his wife’s safety is not guaranteed and doubts his decision to help the woman.

Although they look almost identical in black balaclavas, they have arrived at extremely right-wing views along very different paths. For six months Michał Edelman documented the activity of the National-Radical Camp brigade from Łódź ranging from propaganda events including an obligatory barbecue through attempts to disrupt the Gay Parade in Radomsko to the culmination on the Independence Day in 2019 when they marched along the streets of Warsaw. Are the nationalists really a group of friends with clear-cut views only?

A simple life of simple creatures in a wonderful and awful world.

A woman recounts the last night on earth of a 100-year-old man who fights for the redemption of the misdeeds of his life.

Dark Side Cat, a mysterious stray cat, dashes throughout the night city in punk clothing and plays pranks on humans he dislikes. He plays a game of cat and mouse with the city council, known as the "Stray Cat Hunt".

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.