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A group of teenagers meet in a mental institution, from different social backgrounds have more in common than they think.
Sickness. Chaos. Death. As the Quarantine Zones fill, bodies pile in the streets. Society crumbles to a wasteland. In the house of Sean and Avery, two do-gooders holding onto desperate hope, survivors find comfort in their final days. Yet no sanctuary of brick and plastic can protect the mind, and Sean finds himself forced to make the ultimate choice as the disease seeps into his home and makes monsters of its inhabitants.
A man is sick and tired
Three parents decide to kill the guy who murdered their children.
The body is a magnificent system. But its harmony can be interrupted, sometimes by subversive agents within. Sick uses stop motion to bring to life a knitted body in a fanciful journey through the pulsating organs and dark recesses of the human body. This film was made as part of the 7th edition of the NFB's Hothouse apprenticeship.
After having a fight with her boyfriend, Julie gets out of the car and starts walking in the middle of nowhere. The first thing she finds after a while is a small cabin with a huge guy sleeping outside on a chair. He wakes up and starts chasing her, until he grabs her and hits her. Hours later, she wakes up inside the cabin, tied to the wall. It doesn't take long for her to realize that she is trapped there by a whole family of SICK people. It is unclear what their intentions are... She manages to call her boyfriend... When he arrives at dawn, he is going to face a weird surprise.
A couple discover they have a rare-genetic condition that makes them allergic to each other and must decide between facing the hazardous pain of being together or suffering the agony of being apart.
Julia is a hard-working girl with two jobs and a boyfriend, Istvan, who is a rock musician and always in trouble. When cocaine dealers threaten to kill him over a debt, she tries to help him come up with the money. This starts an unfortunate chain of events at her daytime job at the hotel, and brings her and the hotel manager, O'Ryan, closer together, or so it seems. Then, in his unrequited love for Julia, O'Ryan goes a step too far, way too far, and from there, things get very ugly!
Sue Silverman feels 'neglected' in bed by her hard-working husband Andrew and serially seduces men to 'meaningless' motel sex, even Rick Hudson, a contractor and fellow fund-raiser. After being swept into bed at work by French architecture writer Laurent Dekker, Sue seeks help from Dr. Robert Gardener, who discovers a childhood root cause. Andrew is no longer interested by the time she's ready for addict clinic, and temptation lurks even there.
A maniac with a suitcase full of razorblades unleashes a super human killer upon a group of kids in a small Alabama town. They must take up arms with a insane Chili enthusiast if they want to survive.
Anthology horror film with three tales consisting of a killer sex doll, a killer handbag and a parody of Joe D'amato's Anthropophagous.
DTV sequel to The Reason I got SIck, but this time it's a standalone instead of an anthology.
Comedy from Stefan Schwenk
An under appreciated business person starts his normal and monotonous morning routine, but one decision changes the course of his day and his outlook on life.
An action packed, brightly colored film depicting the adventures of a six-year-old boy attending school for the first time. He befriends a little girl, Zizi, who becomes his constant companion in a child's world of discovery.
Joe Cross took viewers on his journey from overweight and sick to healthy and fit via a 60-day juice fast in the award-winning Fat Sick and Nearly Dead. With Fat, Sick & Nearly Dead 2, he looks at keeping healthy habits long-term.
A short meditation created for Kelly Reichardt's film production course.
Produced through the social justice program at Hamline University in Saint Paul, Minnesota, Printed in 2012. Histories of mental health care are usually characterized as progress from unkind prison-like warehousing of the mad from the 1700’s to modern educated, caring, and efficient treatment. Yet, that progress was punctuated with critical views that indicate that institutional needs frequently over-ride humane treatment, and this documentary is part of the narrative. “Sick” is a comparison of the modern experience by teenagers to the idea of “the complete institution” as developed by sociologist Erving Goffman in his 1961 collection of essays titled “Asylums”.