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The Shadows Grow Longer (German: Die Schatten werden länger) is a 1961 Swiss drama film directed by Ladislao Vajda. The film was selected as the Swiss entry for the Best Foreign Language Film at the 34th Academy Awards, but was not nominated.
Mari is a 17-year-old girl who meets the love of her life at the bus stop, what she doesn't know is that this boy hides too many secrets.
The filmmaker returns to Algeria after eight years living in France. Much has changed, and since he arrives on January 6, 2011, just as major riots break out in Algiers, he finds his own questions and concerns echoed in the demonstrations and gatherings—both public and private—to which he brings his camera. Ammar-Khodja's chronological diary-film is intimate, immediate, visceral—and unexpectedly funny. The film documents not only the recent political past of the country, but also the psychological difficulties of "going home again." Ammar-Khodja's mix of genres, grand flourishes, and stylistic touches identifies him as a questioning, searching soul and a talented filmmaker.
Aoi Sakura does not like fighting. However after her younger sister Kasumi and grandfather are attacked she is openly enraged. Will Aoi be able to defeat Rinka?!
Agron and Marjeta are happily engaged until in a trial presided by Agron, two people accused of theft reveal facts that implicate Marjeta's father. Agron is torn between love and duty.
Between Shadow and Light is a documentary about the thought, style and works of "Farah Osuli", a contemporary Iranian painter. He seeks to find a meaningful form to express his thoughts and ideas in his works and has found this form in the rich tradition and subtle beauty of Iranian paintings, architecture and decorative arts.
The film is about village people, about their love for their land, their honesty in relations.
Chaque année, les meilleurs combattants de boxe pieds-poings toutes disciplines et toutes catégories confondues s'affrontent dans le but de se qualifier pour l'événement le plus prestigieux des sports de combat : le "Fields K-1 World Grand Prix Final". Le 8 décembre 2007, les 8 finalistes se retrouvent au Japon, à Yokohama, Jérôme Le Banner est qualifié.
Doctor Beiral, torn apart by the internal struggle between his social persona and the dark instincts that torment him, manages to use his investigations to give life to the monster that he has long held within him.
General Mchulpich plots a coup with the CIA and South Vietnam to secede two provinces from Cambodia.
Kevin, a young theatre director from Hong Kong, is searching for ideas for his next play with his team, hoping to get funding for an overseas production. Frank, a middle-aged hairdresser in Berlin, is performing his daily routine. Coincidences bring them together, though their friendship is dictated by the parameters of the smartphone. Kevin decides to adapt the stories of the Berlin Wall to the stage, as old memories of living in East Berlin come flooding back to Frank. Shadows, in their literal and metaphorical sense, become the third wheel which silently alters their lives and turns into a story that transcends the boundaries of reason. Through this experimental work, director Terence LI sheds light on the inner space-time of the queer and the displaced.
Our house immerses into the silence of the night, is covered with long shadows, plays with occasional flashes of the warm flame of a kerosene lamp. Darkness for little Stesha turns out to be a tool for the discovery of another world, sometimes scary, sometimes fascinating. Fragments of vague memories, voices, flashes of light – the precious feelings of early childhood that remain with us forever.
Júlio tries to deal with the fact that his boyfriend is going to die soon.
After fighting on the Republican side during the Spanish Civil War, a man goes into exile in France while his family waits for his return in a Catalan village.
After suffering a cerebral hemorrhage during a match, a boxer fights against all odds to make her return to the ring.
Lizbeth, a transsexual woman in charge of the funerary rituals in the small town of San Nicolas, has a gift that allows her to accompany the souls of the deceased with songs, prayers and music, in their journey towards the unknown. She embraces this skill with care, and it has made her a loved and respected figure in her community, where her intimate life is spent in solitude and silence.
Filmed at Teatro Laura Alves (Martim Moniz), in Lisbon. The original negatives reside in Barcelona, FOTOFILME SA.
An Italian-German crime film. One of Maria Montez's last films.