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Have you ever heard of “Zendaya” application? It’s a social networking app that rules every post to contain only positive content. This limitation from the app concept making it less popular until the hottest villain in Thailand, 'Fueang Nakhon’, registered and posted the first message saying, “let’s pass on the positive energy to each other”. Zendaya is attacked by a lot of Thai users and immediately becomes widespread...to the point that shaking Zendaya small office in Silicon Valley. ‘Kommata’, the poor Thai employee intending to return to Thailand for vacation has to sit back, curl up, and take care of the app that suddenly becomes popular. Moreover...who would have thought that the cause of the chaos like Fueang Nakhon would ring the bell in front of his house and ask for the meals cooked by his mother.
Quirky take on the world of tomorrow.
The degenerate alcoholics, the men and women of the beaches, themselves speak openly about their lives and problems. Through their stories, a picture emerges of those on the periphery of society who succumbed to alcohol because of war or difficult living conditions. They are aware of their own State; reason is still there, but the Will is lacking. The film is a cry for help on behalf of humans, it is a dispassionate and honest description of the position of degenerate alcoholics in Finnish society in the early 1970s.
Footage of Stockholm and the growth of its suburbs.
A documentary film about the everyday life of Lukiskes prison residents.
Exploring the relationship between man and place by following the paths of six characters in contemporary Alexandria.
In the city, some lead a privileged life, whilst others are mere labour. There are those who live a wretched existence, but at least are free to live a dog's life in the Egyptian capital.
A post-apocalyptic voice-over tells a story about a woman who finds refuge in a port city, which once flourished with the economic and cultural possibilities ascribed to maritime trading routes, that is the last remaining piece of the continent after a great flood.
Zagreb as seen through the reflections of shop windows.
Animated film by Dusan Gacic.
The film is the first commission for the budding production company Filminor Oy, commissioned by the City of Tampere. Emphasising closeness to nature, the film showcases Tampere as an attractive summer city. Antti Peippo’s cinematography shifted a traditional city film towards a new wave visual narrative.
The Shadows of A City deal with the problems and sufferings of urban life from the perspective of a child.
Directed by Yuri Zhelyabuzhsky.
The main hero of this film is the city of Vilnius. Vilnius is also a metaphor for the historicity of Lithuania. However, this film is unique not only for its cinematographic historical reflections on the statehood of Lithuania; it also reveals the history of cinema, encompassing both Soviet montage techniques and the first traces of cinéma-vérité in Lithuanian cinema.
An irresistible desire for a card game turned out to be the lot of a poor man, a father of two children. Every time, he grits his teeth and tells himself: I won't play, I won't play… But the excitement turns out to be stronger than remorse and guilt in front of his wife and hungry children. "It's obvious that my fate is like this and I can't get away from it," he justifies himself to himself and ... loses his last bull.
An experimental short film documenting the life of Hungarian citizens through city footage and animation.
A dadaist explosion that starts as a typical Hollywood travelogue of Stockholm and ends in the city's total destruction by fire and dynamite. This is a hilarious anarchist film; made by the then unknown Hulten now director of Stockholm's Museum of Modern Art. In a particularly subversive scene, the fire engine, arriving at a fire, goes up in flames.
