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A British silent crime film directed by J. O. C. Orton
Not far from the White House, the Capitol, and the National Mall lies a part of Washington, DC that the tourists never see and the mainstream media virtually ignores. At least three percent of DC is HIV positive, a staggering rate higher than parts of Africa. Behind all the stories of heartbreak, loss, and struggle there are also the incredible, encouraging stories of the people behind grassroots movements to extend education, combat stigmas, and spread hope.
Pippa and Victoria’s favourite pastime is skating. But there are new frustrating “NO SKATING” signs cropping up everywhere in the city. The two refuse to let this get them down and forge a plan to take back the city. They want to organise a street contest to find more allies – and to finally skate again!
A walk around the suburbs of Helsinki
Scrappy, the city slicker, goes to visit his country cousin. Scrappy is a practical joker and carries an electrical buzzer in his hand, and water-squirting bouquets in his button hole. But his country cousin is not as dumb as Scrappy thinks, and some of Scrappy's jokes backfire on him.
This Traveltalk visit to China starts in Beijing, which at the time was officially called Peiping. Called the Imperial City, it consists of four separate districts. One of these is the famous Forbidden City, domicile of the Emperor. Later we take a train trip to see a portion the Great Wall.
St. Louis’s annual report to taxpayers. The Big City visually illustrated how tax dollars were put to good use and was considered a “graphic, fluent and compact documentary” by Howard Thompson. Note: Sixteen prints were made for exhibition by schools, civic organizations, and church groups. For more on the filmmaker, see Shelby Coffey III, “Politics as an Art Form: Guggenheim and the Movies,” Washington Post, Feb. 9, 1969, 262.
In an uncertain future where Vietnam is on the verge of being submerged in water, a son, far away from home, remembers his family. By way of cinematic magical transformations, trivial stories and banal images suddenly become unreal, as if reflections of something beyond reality.
A film sponsored by the U.S. Office of the Coordinator of Inter-American Affairs to promote friendly relations with South American countries just before World War II.
Documentary Chronicling the making of Artists United Against Apartheid “Sun City”
Altin, aspiring Albanian writer arrived in Italy aboard a large ferry in the 90, works in a butcher shop when he selected to audition for a reality of writers and finally sees a chance to be successful with his book "the journey of Ismail." Instead, this is the time they begin his adventures that lead him to learn about revenge, loneliness and extreme poverty, to the dark side of wealth and success. "Altin in the city" is fourth independent feature film by Fabio Del Greco, italian filmmaker, this film is important to delve into the depths of the human soul in a society dominated by the pursuit of power, the rampant materialism and greed of money. These things are not necessary to achieve individual well-being, happiness and inner balance.
The Australian resort city known as Gold Coast has a problem with sharks in their suburbs and is looking for possible solutions.
The film shows the lives of four foreign musicians from different backgrounds and musical genres that after visiting the City of Rio de Janeiro, ended up falling in love with the city, choosing it to live in and becoming typical cariocas.
Gianni Manera writes, directs and stars in this violent U.S. based story of Mafia members and Black gangsters fighting for turf.
"Andremo in città" (We'll Go to the City) is a 1966 Italian drama film directed by Nelo Risi. It is based on the novel of the same name by Edith Bruck, Risi's wife. Bruck, a Hungarian concentration camp-survivor, settled in Italy after the Second World War and wrote about her experiences in autobiographical and fictional formats.[1] The film stars Geraldine Chaplin and Nino Castelnuovo.
In 2007 Livi, a photography student, moves into an empty building in downtown Haifa. Just before her loneliness urges her to leave, Shahar, Zvi, Iddo and Talia move into that very building - young artists themselves. The friendship ignites in an instant and when Zvi can't pay his rent, they decide to rent a space together, half of which will be Zvi's dwelling and half - an art gallery and bar. The joint work thrives and their voice is heard across the distance, but cracks begin to show, the gallery closes and they disperse. For 12 years, Livi follows their journey to fulfill their dreams as they face the reality of livelihood difficulties, manic depression and alcoholism, unfolding both intimately and lovingly, revealing the story of five friends and their maturing process.
The daughter of a Chinese mandarin is sentenced to death for her secret marriage to an American. Their child, raised in the mandarin's palace, grows up and escapes to seek her father, now a high-ranking official in the Philippines.
This is the sixth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…