Self Portrait Of A Dreamer Streaming Avec Sous Titres En Français

Cristiana is a 30 year old woman, brought up in a "proper", bourgeois middle-class family. Her time is split between writing for her PhD in Earthquake Engineering, conversations with Alex and Michelle, her two close friends and occasional, eagerly awaited rendezvous' with Dan, a married man with whom she is romantically involved. After her parents move out of the family apartment into a new house, she decides to get a dog. It is something that she wanted ever since she was a child and now that she lives on her own she can finally fulfill this wish.

This extremely brief film was Osamu Tezuka's answer to a challenge presented to the leaders of the international animation community to create animated self-portraits.

A man dies of cat food poisoning and has a panoramic life review.

Photographed in black-and-white on Sony Portapak videotape, Andrea Callard used one of the earliest portable video devices to capture herself ascending the stairs to her Lispenard Street studio in Downtown New York. She is wearing casts on both of her feet, pounding each stair with great effort, the once ubiquitous scratch and wobble of videotape distinguishing this piece from the work of her contemporaries using film. When she reaches the top, she removes the casts, revealing the artist's bare, naked feet, suggesting that perhaps these cocoons must be shed before she can enter the sacred space of her studio. - Stela Jelincic

The film uses an alternative shooting method, the so-called staring camera, two years before the same method used by Andy Warhol and two years before the use of similar methods at the GEFF in Zagreb. The tape is connected in a circle, like an endless tape.

In "Self-Portrait", Federica Foglia (re)constructs her dislocated immigrant identity through the home movies of others, enacting a search for the self and creating a work of striking filmic autopoiesis.

Footage of the gradual installation and deinstallation of a private exhibition of calligraphic self-portraits hung on the gate of a cramped backyard is intercut with a short shot cut from a family film showing a close-up of a child's face in an open landscape. In contrast, the face of the adult artist is not visible; even his body gradually disappears under the layers of sketches.

A 1972 short film by Latvian body and performance artist Andris Grinbergs, is both a singular artifact of Cold War-era Soviet dissident culture and an addition to first-person quasi-documentary cinema's experimental vein. Hailed by filmmaker-critic Jonas Mekas as ‘one of the five most sexually transgressive films ever made,’ Pašportrets is a selfie avant la lettre and a prototypical sex tape. It shares similarities, both in editing style and visual content, with certain films of the so-called American underground, Western European auteurs and various East European New Waves, although Pašportrets lacked their access to audiences. Narrowly escaping confiscation by the Komitet gosudarstvennoy bezopasnosti (KGB) shortly after its completion, Pašportrets remained hidden until 1994–1995, when it was restored and premiered at Anthology Film Archives in New York City.

In an age of social media, where the boundaries between private and public are constantly being redrawn, 50 people come together to reveal some of their most intimate thoughts. Director Danic Champoux (Mom and Me) returns to Hot Docs to bring us this inventive story that bends the boundaries of documentary cinema. The ensemble cast appears to bare all for the camera, openly discussing a multitude of subjects, from the funny to the heartbreaking, in this unique portrait that celebrates the diversity of human existence.

The documentary is a portrait of an artist and a portrait of a deadly disease. Lene Marie Fossen was a gifted photographer who suffered from severe anorexia. Self Portrait is a film about the power of art and survival, but it also raises important questions about what treatment one who suffers from severe anorexia needs.

Portrait of the artist.

Self Portrait is the story of the art teacher Qin Sha, told in photos and the words of Qin Ha, about his youth, the changes in his family and in society. Director He Yi: 'What I remember now is the material that I came to mind of a man who has lived through the different eras in China. From all this material I not only read the history of a man and his family, I also learned something about the demands placed on life in a society over several decades.

Kawamoto's animated self-portrait.

An early work of Anne Charlotte Robertson, where "the sharp self-scrutiny, off-beat humor, and obsessive attention to details and textures that come to be important signatures of her subsequent films are crystallized." — Harvard Film Archive

This is a sort of documentary made by Vilgot Sjoman about Vilgot Sjoman as a sort of cinematic autobiography aired on Swedish television originally in 1992.

A documentary about surrealist artist Salvador Dali, narrated by Orson Welles.

It is July 1995. Kuba Mitura and his little daughter, Zuza, come to a great concert organised by Jurek Owsiak. Kuba tells the girl the story of his youth. It is 1988. The nineteen-year-old Kuba is a rebellious boy with two-coloured hair. He does not study or work. He lives with his father, a retired military man, bitter and apodictic and with his aunt. One day Kuba meets Diana, a beautiful and eccentric woman, a dozen or so years older than him, a person from the "hostile world". However, the two of them become friends. The father throws Cuba out of the house when he introduces Diana as his fiancée. Soon Diana and Cuba get married to a "hippie", but the military policemen, who have been sent by the father, take Cuba away. In the army, Cuba is doing absurd exercises under the watchful eye of Corporal Kos trying to raise him. The father takes the oath and Diana, who confesses to Cuba that she is pregnant and wants to give birth. But Cuba does not want to become a father.

​A camera-less portrait of the artist. Super 8 cartridges placed inside a black cotton bag, the film advanced via a hand crank. The tiny gaps in the fabric weave make for dozens (hundreds? thousands?) of tiny pinholes.

An Appropriated Self-portrait is an autobiographical piece conceived through the articulation of appropriated and recycled film fragments from over 180 movies and found footage. It was assembled as a fragmentary structure that relies on a non-linear narrative.