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An ambitious young FBI agent is assigned to investigate iconic actress Jean Seberg when she becomes embroiled in the tumultuous civil rights movement in late 1960s Los Angeles.
French documentary about the life of American actress and New Wave icon Jean Seberg.
After a much-publicized but brief stint in Hollywood, Jean Seberg was selected by Jean-Luc Godard to star in BREATHLESS. It was to become the legendary actress’s best-remembered role. This 2007 video essay by Mark Rappaport, director of the 1995 film FROM THE JOURNALS OF JEAN SEBERG, reveals the true story behind her iconic face.
On September 8, 1979, actress Jean Seberg was found dead in her car not far from her home. Conclusion: suicide. Directors Fosco and Dubini believe she was murdered. The documentary is abundantly illustrated with film fragments and testimonials with people who knew her. Dubini and Fosco wrote the screenplay and edited it.
Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format. He seamlessly interweaves cinema, politics, American society and culture, and film theory to inform, entertain, and move the viewer. Seberg's many marriages, as well as her film roles, are discussed extensively. Her involvement with the Black Panther Movement and subsequent investigation by the FBI is covered. Notably, details of French New Wave cinema, Russian Expressionist (silent) films, and the careers of Jane Fonda, Vanessa Redgrave, and Clint Eastwood are also intensively examined. Much of the film is based on conjecture, but Rappaport encourages viewers to re-examine their ideas about women in film with this thought-provoking picture.
Inspired by the controversial and shocking death of the all-American actress Jean Seberg in 1979, Daphne Guinness collaborates with filmmaker and photographer Joe Lally to create The Murder of Jean Seberg, an atmospheric art film exploring Seberg's cinematic legacy, haunting beauty and the tragedy of her story.
Jean Seberg, Philippe Garrel et Les Hautes solitudes is composed of excerpts from four of my films about Philippe Garrel which concern his silent masterpiece Les Hautes solitudes (1974) and its protagonist, the icon of the New Wave, Jean Seberg.
