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When Yeon-soo finds out his long awaited baby has fatal deformities, he asks his wife to get an abortion which results in pain and depression.

When bookseller Buzz cons Diana into thinking that his friend Stanley knows all there is to know about Africa, they are abducted and ordered to lead Diana and her henchmen to an African tribe in search of a fortune in jewels.

A serial killer who drains his victims for blood is on the loose and London police follow him to a house owned by an eccentric scientist.

A gloomy energy suddenly falls over a group of veterinary students who have to go deep into the mountains of Gangwon-do to track a released black bear. The deeper they go into the mountains, the more the black bear tracker hovers around the same spot, and the fear slowly creeps in...

Three girls living in Los Angeles, CA in the 1980s found cult fame when they "accidentally" transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as "The Terrifying Trio," Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses - and their most common collaborators - on how smart they were to play stupid

Many know Munch as the man who painted The Scream, but his complete works are remarkable and secure his place as one of the world's great artists. Munch 150 goes behind the scenes to show some of the process of putting the exhibition together - as well as touring Norway to provide an in-depth biography of a man who lived from the mid-19th century right through to the German occupation of Norway in the Second World War.

Shot on Super 8mm film and digital video, Dream Screen is an experimental dream film. As a woman dreams about herself dreaming, she brandishes a mirror that reflects and refracts sunlight onto alternate versions of herself who, in turn, begin to shine mirrored sunlight towards each other. The reflected sunlight summons the dreamer's selves to wake from their own nocturnal slumbers and move through a dreamscape fractured by rivers, canals as well as other surreal elements. Dream Screen pays homage to the films like Don Siegel's 1956 Invasion of the Body Snatchers, Alain Robbe-Grillet's 1963, Kenneth Anger's 1980 Lucifer Rising, and Maya Deren's 1943 Meshes of the Afternoon.

A sequel to her earlier Black Rectangle, and reminiscent of Evelyn Lambart and Norman McLaren’s groundbreaking animations, Rhayne Vermette’s buzzing miniature A Black Screen Too is a burst of colour and movement undercut by darkness.

All over the world, love stories are written on the screens of mobile phones, but what happens when your privacy becomes public?

Disenchanted with their fixed places on the map, the states swap spots in hopes that each can get to see a different part of the country and do something different for a change.

An old friendship turns to rivalry, hatred and murder as one artist tries to imitate and then usurp the work of another and eventually trying to steal her husband, home, and life.

Wile E. Coyote uses, among other things, a dehydrated boulder to try to catch the Road Runner.