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On 19 February 2023, the Teatro alla Scala opened its doors to an event of exceptional importance for Italian culture: Paolo Conte presented a concert with his ensemble of instrumentalists with a ladder designed specifically for the occasion. For the first time the world temple of opera has chosen an Italian singer-songwriter: a recognition of the iconic stature achieved by Paolo Conte in the music scene of our country and his appreciation at international level This extraordinary and unrepeatable concert has become a docufilm, interspersed with footage that tell the preparation of the show, rehearsals, the arrival of Paolo Conte in the theater, snapshots of the soundcheck, backstage and a valuable story of Paolo Conte and his relationship with music.
Filmed at the Scala, London in 2011, Claudia Brucken, using the nucleus of her current Onetwo band, performed an exciting 98 minute live set playing 19 song selections from her 27-year career aided by a host of special guests, including Andy Bell (Erasure), Glenn Gregory & Martyn Ware (Heaven 17), Susanne Freytag and Ralf Dorper (Propaganda) and Andrew Poppy.
Conducted by Riccardo Muti, the master of the Scala in Milan for twenty years, the Verdian melodrama unfolds before our eyes. This Cavani's approach is ageless and excellence is pre-eminent: to start with, the role of Riccardo is played by the wonderful Salvatore Licitra. As for Maria Guleghina, she plays an exceptionally good Amelia. Riccardo Muti proves once again what a wonderful Verdian he is.
Don Quixote - Full Length Ballet by Teatro alla Scala di Milano ft. Natalia Osipova
Pin, a plastic medical dummy, has been the fixation of Leon since youth. Now grown up and orphaned in an accident, Leon brings Pin home to live with him and his sister Ursula, much to her reluctance. Soon, however, Leon's fixation on Pin spirals out of control, and Ursula must face the devastating consequences.
n his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
Live from Teatro alla Scala 1987.
The Dunars are conductors from father to son. François' long and brilliant international career come to an end, whereas Denis has just won an umpteenth classical music award. When François is chosen to be the head of the Scala, his ultimate dream, he can't believe it. Happy at first for his father, Denis quickly become disillusioned when he discovers that he was, in fact, chosen to go to Milan.
On a stormy night, the mute servant to an ailing matriarch is stalked by a serial killer.
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
A scheming couple plot to conceal a hidden cache of stolen money from its rightful owner. The only problem is that the house they plan to hide it in is haunted.
Based on a poem by I. Pivovorova