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He Saw Her Burning, which is based on a 1983 performance, is a provocative narrative collage, a surreal juxtaposition of two narrated texts. A man and a woman begin their respective tales: He saw a woman burst into flames on the street; she saw an American soldier go berserk and drive a tank into a crowd. Produced while Jonas was living in Berlin on an artist's fellowship, the disjunctive narratives are pervaded with a sense of cultural dislocation and alienation. The man and woman occupy separate narrative spaces as they tell their stories, which are intercut with a pastiche of word games, narrative reenactments, filmed sequences, isolated gestures and objects. Memory — elusive and ephemeral, personal and collective — is the catalyst for this complex work.
Following an unspeakable tragedy, a rogue secret agent seeks revenge against a serial killer through a demented game of cat and mouse.
Scraps of information are gathered and pieced together by an enemy who lurks in the shadows, proving that nowhere is safe to discuss sensitive wartime information on the home front.
In a dark expanse that could be the cosmos, we hear the voice of Arthur C. Clarke, whose face - taken from a BBC archive dating back to the 1960s - appears in the distance. His features quickly dematerialize into a multitude of shimmering pixels, creating an enveloping and immersive space out of which the thoughts of the famed author of «2001: A Space Odyssey» emerge. At the heart of this spectral environment, and with a magnetic voice sending us back to the time of cathode ray tubes and the golden age of television broadcasting, A C. Clarke tells us about the arrival of digital revolution, decades ahead of his time. This film is an invitation to travel, and a crepuscular form of poetry to be experienced immersively.
The first black and white LIGHT LICK. S8mm, b&w/si, (18fps)
Profile of the author of 2001 looking at his life and his latest novel: 3001.
Join us for a truly historic event. At the National Press Club in Washington D.C., an unprecedented gathering of top military and government officials from around the world appeared before members of the Press to present to the public alarming facts about UFOs and an extraterrestrial presence now engaging the planet Earth. This presentation provides live coverage of that historic press conference.
A dance film shot inside the medieval walls of the Cloisters in Manhattan. It shows a young woman who becomes aware of the cosmic forces, forces which inhabit her.
A forty-minute black-and-white tape done in 1971. Fried is seated at a table, trying to run the gauntlet of choices while ordering in a restaurant. He keeps answering the waiter’s questions with more questions.
Water pollution spoils the canoe trip for an aware feline.
A document of Denton, TX emoviolence band bulletsbetweentongues recording their first LP "The Lights Never Lie."
Lotte and Ned have a problem. The wunderkind director of their theatre company, Bryce Kransky, pulls out of directing an adaptation of Chekhov's Three Sisters. He is replaced by Michael Gregg, a troubled director attempting a comeback. Following disastrous rehearsals, the cast begins to revolt, all while Gregg believes he has a masterpiece.
A filmmaker makes a documentary about Elvis sightings
Based on true/false events, nursing student Marlee Wilson has been struggling with day to day issues with school, work, and her cheating boyfriend that's addicted to strippers. Feeling like she's not getting enough attention from her boyfriend, she decides to fake a kidnapping, but the hoax ends up getting deeper than she ever expected bringing real life issues across the country.
DAYS, I See what I Saw and what I will See explores the notion of producing a continuous representation of space and a discontinuous representation of time. The film was shot over eleven days, from 24 February to 6 March 2011, in a Labor Camp in Sajaa, Sharjah, United Arab Emirates. Melik Ohanian built 100 meters of tracks to make traveling shots. Each day he installed the tracks and then filmed the 100 meters in approximately four minutes. The next day, he dismantled the tracks, re-assembled them and moved them 100 meters ahead – and film again. He did this for eleven consecutive days, shooting both during the day and at night. The incremental editing of the daily footage produced two singular films representing 1100 meters of space and forty-two minutes of time.
Sore Throat: From the Book of Saw is a Saw franchise fan film made for educational purposes at Radford University. This film was to showcase editing, cinematography, audio design, and set design for an individual project. The film follows a young man named Ben who wakes up in an isolated basement to face redemption at the hands of the infamous Jigsaw.
Drama by William Trevor
Short film with sound by Rudy Burckhardt, assembled from the footage shot by Joseph Cornell for his own silent "Mulberry Street."
Olivia is shocked when she sees herself in a strange videotape that she and her girlfriend rented from a video store, but when she sets out to discover the tape's origins, she finds more than she bargained for.