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An audio-visual collage looking at 100 years of Hollywood representation of Hawai'i.
After he learns hypnotism, a husband uses it on his wife and mother-in-law. While they're in a trance, he goes out on the town with other women.
Forty years after her father's return from North Korea a Japanese university professor is subject to harassment for advancing his views on this country. Just like her father, however, her commitment to the truth remain unwavering even though all around her fear for her health and safety.
Having already added to the tensions between North Korea and Japan, a university professor finds that her views are considered even more dangerous now. Things quickly take a turn for the worse when missiles are launched from North Korea directly over Japanese air space.
Rose Leigh is a young schoolteacher. She sees a paragraph in the paper, saying that in a certain small village they have had in six months, three teachers (men), and all have left because the boys are so unruly and impossible. She resolves to try the experiment of giving them a woman teacher, and applies for the situation. The trustees of the school, who are at their wits' end, gladly accept the offer.
As the cat explores its surroundings, viewers gain insight into both the cat and each new animal it encounters. As the cat walks through the world, it uses its whiskers, ears, and paws to develop a perspective of the world. The many lives of one cat highlight the aspects of observation, curiosity, and imagination.
A genre-bending documentary using dance and physicality to explore themes of youthfulness, fear, regret and aging. The star of the show is New York. The perspectives of elderly citizens of NYC are interpreted physically by a younger generation. The words come from real-life interviews recorded with a diverse selection of aging New Yorkers.
I First Saw the Light channels the vestige of Joseph Carey Merrick’s surviving output. Better known as The Elephant Man, he produced a little noticed two-page autobiography, sold to those attending a freak show in which he was displayed, opposite the royal London hospital in London's Whitechapel High Street. There is one surviving copy of the pamphlet. Its text is coupled with starkly filmed sequences of a model church he also constructed, now hermetically sealed within a glass and ebony container, together forming the basis for this poignant, silent film. A reminder of Merrick’s profound humanity in the face of extreme adversity, it also serves as an auto-biographical footnote and reminder of David Lynch’s eponymous feature film on Merrick, in which the model is a central motif and metaphor for his psychological and emotional fluctuations.
Adam befriends newcomer Ali, a refugee from Syria. Apprehensive about the exposure of his inner self to his societal demographic, Adam keeps his friendship with Ali secret.
A young boy has developed an ability to see through walls, much to the consternation of his stuffy Victorian parents.
In 2006 Jesse Ross traveled to Chicago to attend a conference. He did not return, and has not been seen since. This film is his story.
Cindy, alone, grieves the War's end. After her husband Tom returns, her only companion, Barbara, withdraws. As fantasy meets reality, Cindy slips away...the past her only reprieve.
A nine year old girl receives a giant bandsaw for her birthday
Veronika is in love with her friend Nora and they are hanging out together. But during a brief walk, she realizes that Nora has a lot of doubts.
The wild rock band Giraffes is fulfilling an old dream and going on a magical musical journey in India that crosses the subcontinent and the planned culmination is a performance in Goa in front of the thousands of Israeli travelers there. However, a series of murderous terrorist attacks in the city of Mumbai destroy the cards and send the band on a journey in search of its audience - the Israelis who fled Goa in fear of another attack. A musical, personal and inspiring portrait of the Giraffe band and the charismatic lead singer Gilad Kahana - a rock star, a gifted poet, a drinker, a hypochondriac and a compulsive workaholic - who leads the band in an attempt to change the fate of the journey. Or as a barefoot and dusty Indian asked them at the beginning of the journey: "What is karma?"
A conversation between two men at a bar. One of them says the only thing he'd care to do for Christmas would be to take two people he had never seen out to a fine dinner.
An experimental short film that explores the relationship between trauma, synaesthesia, and art. Shot on 8mm film, the film follows the story of a person with PTSD and synaesthesia who is recounting their memories associated with the color red.
Cut-out, rotoscope, cell, flip card, and optical print animation. Produced by the Yellow Ball Workshop with a grant from the Center for Understanding Media and the National Endowment for the Arts. Based on poems by Dominic Falcone.
75 years ago two nuclear weapons were detonated over the Japanese cities of Hiroshima and Nagasaki on 6 and 9 August 1945. I Saw the World End is a response to those precise moments of destruction from both a British and Japanese perspective.
"After the success of his feature film 'Masala,' Srinivas Krishna returns to personal filmmaking with 'Tell Me What You Saw', a lush meditation on bucolic pleasures and a formally precise and emotionally engaging study of the properties of light." - Toronto International Film Festival