Sally Of The Subway

Sally is the witch princess of the Magic Kingdom who longs to visit the mortal realm, presumably to make friends her own age. One day, by mistake, Sally teleports to the "mid world" (Earth), where she uses her magic to fend off a couple of burglars menacing two schoolgirls. Immediately befriended by her new acquaintances — tomboyish Yoshiko Hanamura (known affectionately as "Yotchan") and girly Sumire Kasugano — Sally decides to stay on Earth indefinitely, leading to mischief. As with Samantha Stevens in Bewitched, Sally tries to keep her supernatural abilities secret, assuming the role of a human child. In the final episode, Sally's grandma informs her she must return to the Magic Kingdom. Before leaving, Sally tries to tell her friends about her origins, but no one will believe her. Then her elementary school catches on fire, and Sally uses her magic to put it out. Her powers thus exposed, Sally's time to leave has finally come. She waves farewell to her friends, and returns to the Magic Kingdom. Being so popular in Japan, mostly the same way as classic Hanna-Barbera characters are in America, a second series was produced 20 years later. The second series continues a few years after the original ending, and finishes with the Original video animation Sally the Witch: Mother's Love is Eternal, in which, at the end, Sally finally becomes the ruler Queen of the Magic Kingdom, but worries about leaving her friends behind.

The life of American woman Mildred Gillars and her lawyer, who struggles to redeem her reputation. Dubbed “Axis Sally” for broadcasting Nazi propaganda to American troops during World War II, Mildred’s story exposes the dark underbelly of the Third Reich's hate-filled propaganda machine, her eventual capture in Berlin, and subsequent trial for treason against the United States after the war.

Sally, the princess of the land of magic, comes down to earth against her father's will.

Hui-Jun, a chicken farmer from a rural village in Taiwan, lives with her soon-to-be-married younger brother and her teenage niece, Xin-Ru. When her relatives claim that she, being unmarried, should not attend her brother’s wedding reception, she feels guilty. On a dating app that Xin-Ru downloads on her phone, Hui-Jun uses the alias “Salli” and develops a romantic relationship with a French man named Martin. But when Martin suddenly becomes unreacheable, she decides to travel to Paris to find him. To Hui-Jun, the world she experiences for the first time outside her small village is unfamiliar but splendid. Leaving behind her family, who view her as a source of concern, she is determined to prove herself through trials and challenges. The narrative about the personal growth of a thirty-eight-year-old woman, the actors’ performances, and the aptly timed music all contribute to the film’s delightful charm.

He loves Sally. Yet, at times, he finds colors absent in Sally in others and shows curiosity, prompting Sally to change her color.

Con artists use a member of a European royal family to swindle a major jewelry company.