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A Roma boy living in Sweden dreams of building a spaceship to escape the reality of his family's pending asylum request, and the mysterious coma-like illness that has befallen his siblings.
t's 6:20 a.m. The camera pans a slew of alarm clocks that start to ring simultaneously, all set to awaken a solitary middle-aged man. The alarms are elaborate: in addition to traditional clocks, horns blow, bright lights flash, and a pot even blows smoke at the sleeper. After several minutes, the bed itself finally bounces him to his feet and he begins to make his way through his house, slowly, keeping only a step ahead of things falling, or cutting through the air head high. He grabs his coat, shambles out the door - and it becomes apparent why it is he must wake up. These surprising duties completed, it's time for an espresso. It arrives like clockwork, right on schedule.
Two teenagers wake up in an eerie basement and try to escape before the strange man upstairs comes back.
Early one morning, an alarm clock on a bedside table starts ringing. It evades the hand that tries to turn it off, but in its escape, it falls off the table's edge into oblivion.
Countess Hedvig von Wärnfelt (born Wärnfelt), receives her orphan's granddaughter Marianne to educate her in tukt and her reverence. Marianne is an iron and vibrant young girl, who also carries theater grills. The Countess is staggered over her uneducated facials and treats her severely, hard and joyless.
Advertising film for "Réveil Tam-Tam". Undoubtedly one of the oldest Belgian advertising films, with a strong colonial connotations present in the product name.
A man misses his train due to his clothes turning into other types of clothes.
A restless sleep and chlorophyll tinted dreams. A short visual experiment within a character's introspection.
In the middle of the night, a young child calls his father to be reassured. But will his father be up to it?
SELF-PORTRAIT Nº 2 (RÉVEIL) is the second self-portrait where the Super 8 camera was held at an arm's length. As in the first self-portrait, this resulted in extreme close-ups, in this case of me as I get out of bed. As in the first one, the scene is intercut with images of various administrative documents: identity cards, school IDs, a blood type card... that are in my name - the only colorful elements in this rather grainy black and white film.
"Every Good Friday, since 1980, I film the ceremonial of the Stations of the Cross of the Passion of Christ in Burzet, in an isolated village in the Ardèche, where the inhabitants, for seven centuries, dress up to celebrate and perpetuate this religious rite. Due to the Covid-19 pandemic, Burzet's 2021 Passion of Christ Ceremonial has been canceled. To compensate for this cancellation, I tried an experiment..." Says Alain Paucard of the film: "Courant reworks the images, passing from realism to a sort of expressionism which, enlarging the line, warms it."
A writer has her alarm clock stolen after a sexual encounter.
How, since the fall of President Viktor Yanukovych in February 2014, following three months of popular revolt, has Ukraine managed its difficult transition? Between civil war and the need for drastic reforms, a balance tinged with hope, whose stakes are crucial for Europe.
Mr Lam is an old man, losing his memory since his wife died. The last day of "the insects' hibernation", he receives an unexpected visit from Ms. Meng, Taoist exorcist determined to chase demons out of his head.
