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"Aubrac-Rushes is a video of re-filmed images, which we watch as if flicking through a sketchbook of drawings executed in pencil, charcoal, graphite ... These "sketches" were snatched from real life during a stay in Aubrac with Martine ROUSSET and Mahine ROUHI in January 2007. Some fragments of these promenades are also fossilized in silver photographic emulsion ... "Erratic and restless - we stumble into the shots - which search for their lost path - the broken trajectory of a nowhere landscape - the brief and obstinate rhythm of a searching gaze - a real quest: where to go from here? M. Rousset
Despite the popularity of his talk show, Samar faces crises in his bond with his wife. He agrees to execute an assignment presented by a media mogul, but a deadly whirlpool engulfs him.
Three weeks of travel in the USA in June 1997: New York, Vermont, New York, Los Angeles, San Francisco, New York, edited entirely in camera and projected with music from the 60s.
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad
A candid behind the scenes look at the shooting of a single segment of a porn video.
'Spain. English tourist gets drunk and fights bull.' (British Film Catalogue)
"Comprises film and videotape from the August (1969) epic freak-out in New York State (White Lake- "Woodstock") with all the groups you can name, and a cast of half a million. Unlike the Rolling Stones films shown on British television, this is full-color and the techniques are more imaginative and acid-based than the Stones film, good as that was." – Alex Gross, London "International Times." Selected for the Montreal International Festival of Film in 16mm at the Museé des Beaux Arts; the Encounter With The American Cinema at Sorrento, Italy, 1970 (Selection of Martin Scorcese); and the Museum of Modern Art in Paris American Underground Film Weekend. Silent version premiered in 1969, accompanied by video and light show, in the extended opening program of Global Village in New York City.
While Larry Semon does not star in Rips and Rushes, its confident gags and frenetic pace suggest his touch. In the knockabout one-reeler set in a dance studio, three suitors compete for the girl. James Aubrey, the actor playing the father’s preferred suitor, may look like a Chaplin imitator, but he came by those skills honorably, born like Chaplin in Britain and likewise coming to the U.S. with Fred Karno’s troupe. Nevertheless it’s Alice Mann, with her wacky headdress and knowing glance, who steals the show. Suffice it to say that many vases are broken and pants ripped before she escapes out the window with the handsomest of the beaus.