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Leo, a young man coming to terms with his own sexuality, runs into Caro, a primary school friend he fancied when they were kids, who's now trying to ward off her own personal demons. This casual re-encounter will affect their personal conflicts without either truly grasping the other's problem.
Produced by Frank Zappa in 1982, The Dub Room Special combines footage from a performance at the KCET studios in Los Angeles on August 27, 1974, a concert performed at The Palladium, NYC on October 31, 1981, some clay animation by Bruce Bickford, and several interviews. Previously only available through mail-order, it was made widely available on DVD on October 17, 2005.
Duchess, also known as Daeng Lek, is a newly rich university student and is given to ostentatiousness. She seeks approval from the exclusive parts of society from which she was barred when she was poor. She happens to encounter Krathing, who knows about her unfortunate past as Daeng Lek and takes to teasing her.
28 year old freelance writer Sakura Asuka wakes up tied in a white room. The white room is a protected room located in an isolated ward of a psychiatric hospital. Sakura first became unconscious because of heavy alcohol use and a druge overdose. She’s confined in the single room because of her high risk of committing suicide. Sakura tried to talk to the nurses and doctors but they didn’t listen to her. Under the circumstances another patient Miki, who suffers from an eating disorder, leads her to understand the unknown world. But, Sakura is looking for the way to get back to the real world as soon as possible.
Alma, a beautiful girl who didn’t get the chance to hear how chaos the world is since she was born. Her mother then bought a hearing device for Alma hoping she would love the idea of sound. She got it wrong. It wasn’t just that she couldn’t hear, she wasn’t being heard. By a poetry in her room, she asks her shadows about love she has to the universe.
A semi-fictional account of the life of Russian poet Joseph Brodsky, who was forced into American exile in 1972.
A subjective adaptation of a well-known autobiographical novel by Zbigniew Unilowski (screenplay by Wojciech Jerzy Has with dialogues by Stanislaw Dygat). The adventures of the tenants of a sublet room in a Warsaw townhouse inhabited mostly by students and novice writers, presented against the social context of the 1930s.
An unflinching, fragmentary look at a handful of self-destructive, marginalized people, but taking as main focus the heroin-addicted Vanda Duarte.
A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.
Following a mass emigration from Russia, a poignant love letter emerges in the abandoned home spaces of friends and family.
