Revó

Afraid of traveling in trains due to bomb blasts, outspoken critic of corruption in modern secular India, Roshni, the daughter of activist, Pratap Narayan Tilak, gets hired with Live India as a news reporter and decides to expose corruption - especially at the hands of two politicians, P.P. Patankar and Chita Singh. The latter invites her and Vishal Singh Rathod to meet him and warns the duo that they will meet the same fate as their parents if they even dare to mention their names on TV. The politicians then conceive a novel scheme - not the age-old method of religious and sectarian violence - but of modern day terrorism - that will not only ensure their political future but also distract attention from themselves.

Documents the underground feminist punk movement 'Riot Grrrl', a network of bands and fanzines that called for 'grrrl love' and 'grrrl empowerment' and whose fiery rhetoric and groundbreaking performances resuscitated both feminism and punk rock.

In 1981, Susan Meiselas published "Nicaragua, June 1978 to July 1979," 70 photographs she took documenting the Sandanista revolution. Ten years later, Meiselas returns looking for the people who appear in the photographs: where are they now, what do they remember, what do they think of their country and of the revolution? She finds a woman who buried her husband when she was 14; she talks to those who fought the Guarda Nacional - some are disillusioned, some still have the fervor of revolution; she talks to mothers about their sons; she finds a Guarda member who became a Contra. And she offers her own reflections on time and history and on the moment and meaning of a photograph.

This documentary takes a look at the modern, envelope pushing world of altporn - erotica and adult entertainment created by artists, punks, and other members of the progressive art community, with an eye to egalitarianism, positive body images, and creative freedom

The revolution in Lithuania has already started, but no one knows who announced it and who is leading it. The action is not taking place somewhere far away, but here in Lithuania and now. The characters of the film themselves turn into creators and shape the further course of events.

This film explores a now-obscure American expansionist, William Walker, who through military force and coercion became president of Nicaragua in 1856. Walker was one of many expansionists who believed it was America's Manifest Destiny to conquer all of the Americas and who engaged in border raids in Canada, Mexico, the Caribbean and Central America. Filmmaker Kathryn Ramey blends found footage, documentary photography, ethnographic inquiry, and personal travelogue with experimental film techniques such as hand-processing, optical printing, and time-lapse to detour and derail the various approaches to historymaking that have been applied to this story.

It never occurred to Syrian filmmaker Nidal Hassan and Lilibeth Rasmussen (Danish artist) that the day of their arrival to Damascus - March 16, 2011 - would be the day preceding the announcement of the uprising in Syria. Between Damascus, Sweida and Ein Al Arab, the film tries to gather details of stories of absent women and other women who would present their own testimonies about themselves and about love, life, death and sometimes about the revolution. Difficult months go by, friends disappear unwillingly in jails, and friends leave forcefully… and a longing to freedom, dignity and justice for which Syrians have conferred a lot of blood. Nidal moves around with his camera in attempt to record Syrians' daily journals subjected to pain, oppression, blood and hope. Between Damascus and Copenhagen, two filmmakers from two different cultures try to tell real stories of love, life and death in the age of the revolution.

Crashdïet's second DVD... containing stuff from the weird and crazy "The Unattractive Era"... ;) Produced by Martin Sweet!

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Two thousand years ago, in the Roman province of Judea, Jesus was crucified by imperial troops. Thousands before him had suffered the same fate. But unlike his predecessors on the cross, Jesus did not disappear from history. Instead, his memory was kept alive by a small band of Jews - men and women who held fast to their conviction that Jesus was the Messiah.

In this documentary, film historian Natacha Laurent places Eisenstein's work in the context of the Communist Revolution and contemporary Soviet filmmaking.

Year of the Revolution 1848

The history of the Asturian mining county from the mouths of its protagonists. Memories of survival are after the victory of the national side in the Civil War, the families decimated with the dead in common graves. The "fugaos" and the guerrilla struggle that they maintained under the slogan of the PC. The “normalized” return to the mines with surveillance by the Civil Guard, the first strikes, timid and disorganized, spontaneous; the organization then, unionized and clandestine; the “resistance boxes”, the constant pulse against Francoism…

Pioneers of punk-metal fusion, Wendy O. Williams and the Plasmatics revolutionized the culture of American music with unparalleled live performances and jaw-dropping theatrics, on and off stage. Lightning rods for controversy, Williams and the band endured police arrests and countrywide bans. With unforgettable stunts such as taking chainsaws to guitars and blowing up full-size cars, their chaotic live concerts are the stuff of legend.