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'The Lithium Revolution' approaches current issues as for example environmental problems, the scarcity of resources and the population growth. The focus, however, is within the general claim for prosperity within the emerging countries. This film does not just name the problems but also offers a possible solution. Environmental friendly mobility, which major problems are high efficiency batteries. It is a smart and eye opening documentary about the connected structures within a global environment and market.
A very loose adaptation of Master and Margarita, but for all that, it is explicitly based on Bulgakov's novel, in a thoroughly experimental way. What you see in this film is documentary-like scenes shot with a simple video camera in Moscow and Budapest, and New York, and these scenes are linked to the novel by some explicit links, and by these, the film goes beyond the level of being but a visual documentary which would only have reminded the viewer of The Master and Margarita.
In April 1968, black and white students rebelled against the university administration, occupying five buildings, including the president's office in one of the first campus revolts of the Civil Rights/Vietnam War era. The revolt began as a protest against university expansion into neighboring communities and its role as a slum lord. After five days of student control, the administrators and trustees ordered the police to clear the buildings. What resulted was an unprecedented display of brutality and repression. Narrated by one of the student rebels, the detailed eyewitness account of this event galvanized other campus revolts around the country.
Women's Wrestling Revolution Presents Facelift
Documentary about teenage life in the mid-60s.
A once reluctant homeschool family sells their home and everything in it, packs up in an RV and travels the country to tell the story of the millions of American families who are a part of the Homeschool Revolution. After talking with education experts, homeschooling pioneers, and regular families at every step in their home education journey, they learn come away convinced that it's time for America to bring their children home. The movie follows host, Yvette Hampton, as she travels the country with her family talking with education experts, curriculum developers, college and university faculty and administrators, and homeschooling families at every stage in the process, from kindergarten to college graduation and beyond. As viewers follow Yvette on this journey and share in her challenges and victories as a homeschool mom, they will gather the necessary resources and encouragement to homeschool their own children with excellence.
Julieta is unable to focus on the class about the French revolution she's taking because of some noises coming from outside. None of her classmates seem interested. She'll be surprised when, in spite of the teacher, she looks out the window and sees the french revolution itself taking place across the street.
From école Normale Supérieure to the barricades of May 68 in Paris, to the jails of Gorée Island in Dakar where he died in 1973, the itinerary of a young Senegalese intellectual who became a revolutionary. Another vision of the Senghor – Pompidou years.
Space Robot Revolution
Being in an unhappy marriage, the wife of an important director complains to the party when she is threatened by divorce, saying that her husband has an antisocial behavior. This is an occasion for the people present at that meeting to evaluate their own personal lives.
Ants fly in downtown Fortaleza on a dawn lost in time.
Television documentary from BBCs Arena program in which David Lynch, fresh off the release of Blue Velvet, examines his surrealistic influences in cinema which excerpts from several classics works of the avant-garde
Not Anymore: A Story of Revolution is a documentary short film that tells the story of the Syrian struggle for freedom as experienced by a 32-year-old rebel fighter, Mowya, and a 24-year-old female journalist, Nour, in Aleppo, Syria. The film is a 15-minute documentary short about why the Syrian people are fighting for their freedom, told through the emotional words of two powerful characters whose lives have been turned upside down and torn apart by war.
It seems as though there's no other way: Because neither his parents nor Baby Jesus will fulfil his fervent wish and give him a bike, Antonio hatches a totally unorthodox plan…
Pools of light and shadow displace each other as the camera describes an arc or spiral on a section of wall or ceiling. Periodically the motion stops, replaced by selective focus on a grainy object, creating a sense of wave motion in and out of the screen. This film is concerned with the projected, not just light or the emulsion or the illusion or the projector or the camera, but all of them. The surface of the film, the grain, is remembered when a similar but illusionistic surface appears (just a magnified), crossing the fram. Other times the grain is left to itself.
Pezold is quite serious when she calls for a revolution of the eyes. In our depressingly digital day-in day-out, we have unlearned how to see; we merely register a restless flow of data. But looking, watching means something else: it means appreciating what's in front of us, taking the time to let a presence unfold its meaning(s). Quietness helps. And so, with Revolution der Augen, we are invited to return to the origins of cinema and its initial promises, with the experience and knowledge gained through all kinds of media over some six score years. It's tabula rasa time!
Dr. Sanjay Gupta is an American neurosurgeon and a chief medical correspondent for CNN. If you remember, Dr. Gupta admitted he was all wrong about weed back in 2013. Nowadays he’s changed his mind and he’s ready for a marijuana revolution so that medical patients can receive the medicine they need.
The film speaks of an imposed solitude, the result of a model of society where each one is for himself in the struggle for survival, leaving aside the importance of solidarity as a human value. And, to change this scenario, the short film points to the need for a revolution of affections, whose main banner is love.