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It all started with a picture taken in 1974 in Lisbon, just after the Portuguese Revolution. She, the Revolution Hunter, tries to enter in that picture as if she could enter into a time she didn't belong and finally understand what it means to be part of a revolution or what it means to fight for a country. A film that explores the relationship between two generations, two different times and two different fights. As if we could transform a photograph by drawing on it. As if we could transform the present by drawing over the past.
In the early hours of March, 16, 1916, the troops of Pancho Villa invaded the continental territory of the United States. They attacked the village of Columbus. At the same time a baby was born in Nazas, Durango. He was the son of General Pancho Villa. When his father was murdered by the government in 1923, his mother took him to California and told him: Never tell anybody who your father was, because your life and mine are in danger. Eighty three years later, Ernesto Nava came to his father´s land and discovered that General Villa is one of the most respected heroes in his country and a moral guide for millions of peasants throughout Mexico. The story of Pancho Villa told by those who knew him.
The documentary The Silent Revolution explains the revolution involving nearly 3 million kurds living in Syria. With the outbreak of the civil war —in the frame of the called ‘Arab Spring'— the Kurds of Syria have taken advantage of the context to fight for their political and cultural recognition and thus end the repression that started more than 50 years ago.
The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.
This film is composed of fragments escaped from Qu’ils reposent en révolte (Des figures de Guerres). Fragments of voices, laughter and rage, snatches of words, images and memory, the words near and far; the breathe of the wind, the gesture of the sun at the sunset, the reflections red-blood; the raids of the police, processions, warriors, court of injustice ... For a map of the violence inflicted on migrants, the repetition of the colonial movement, and the unacceptability of the “world as it is”.
The dedicated priest Pedro arrives in the city of Serinhaém, ready to reopen the church, closed by the feared local bandit, Rodrigo Napu, and tries to reestablish the Catholic faith of the population, oppressed by the domination of the evildoer.
La Revolución de Mayo (in English: May Revolution) is an Argentine silent movie premiered in 1909. As the name denotes, it is focused on the events of the May Revolution. It was directed by Mario Gallo, and it was the first Argentine film with a plot.
The film was banned for 18 years by the communist regime in Serbia because it did not want the film to show taboo subjects. Thematizing and problematizing the life of Serbs in Croatia was considered an expression of "Great Serbian chauvinism" and "disturbing the public" in Yugoslavia. The film unmasks the alleged struggle for a just society during the so-called National liberation struggles. The partisans from Kordun tell how, with false promises about a better life and a happy future, were deceived by the partisan elite led by Josip Broz Tito. Instead of a society of equality, after 1944 a society of class differences was created. Thus, people from the poor regions of Yugoslavia become cheap labor in capitalist countries because they cannot find work in their "socialist" country. The film is a prophetic anticipation, which is why socialist Yugoslavia failed and because of which Serbia has been collapsing for decades.
A documentary about the Spanish anarchist.
While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.
A film that rescues the role played by women both in the guerrilla struggle and in the future of the Cuban revolution until today. Workers, doctors, scientists, artists and social and political activists emerge in voice and image.
Ode, in black and white, to immigrants, from Calais, from elsewhere.
In the first half of the 19th century there was a revolt in the central state of Hesse, led by Georg Büchner (Gregor Hansen), the well-known German writer, and a fellow rebel, Pastor Weidig (Franz Wittich). Büchner wrote a kind of declaration of peasant rights against the tyranny of the landholders of the time, and once that declaration ("Der Hessische Landbote") was made public, Büchner escaped to Strasbourg, and then to Zurich where he was killed in 1937, at the age of 23. Pastor Weidig was captured, sent to prison, tortured, and killed in prison. The revolution the two men had hoped for died on the vine due to an informer -- a planned uprising was brutally squelched -- and the peasants had to bide their time for another 12 years before the 1848 Revolution would bring them some of the rights demanded in Büchner's pamphlet.
Tsumugi Akari appears in the "Hacks Bishoujo" series, which releases the eggs of gravure idols into the world. Tsumugi-chan is beautiful like a doll with clear white skin and a neat small face. No matter where you look, don't miss her charming brilliance!