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In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
A group of young men train to be revolutionaries and plan an insurrection of the Canadian government.
Exploring the radical changes which hit Hollywood in the 1960s and 70s, with a new breed of director and actor, and the anti-hero very much replacing the all-American hero.
El Barro de la Revolución takes place in the Philippine rainforest and reveals the inner life, without the usual mandate of the camera, of the military, social, political, emotional and educational actions of one of the guerrilla units that Polo visits with his complicity. It is a shared and solidary project, which shapes a story in which the daily duties and urgencies acquire an extreme political and poetic relevance. In short, and from our perspective as spectators, we are once again questioned about the indissoluble condition of the intimate and personal in the political sphere.
Apoloniatzi tells us his story: how the Mexican Revolution survived, where he sought life, what the girls did so that the soldiers would not take them away, what they ate, and how and where the war ended.
It is the awakening of the twentieth century. The Porfirist regime is in evident decline. The social and political situation in the country, could not be more explosive. Everywhere, the redemptive fires are lit. However, there is one that shines despite its absence in the official history of the first great revolution of the twentieth century. The incredible and little known history of one of the most surprising characters of the Mexican revolution: Alberto Carrera Torres.
Castro has outlived generations of US Presidents, Soviet General Secretaries, CIA Directors and would-be assassins. This film offers a psychological profile of the Cuban revolutionary, and a deeply intimate account of his life based on private letters, correspondence, speeches and interviews. It features interviews with some of Fidel Castro's closest relatives, close friends and committed enemies.
A film made by Danilo Kis's poem "The Revolutionary Poet on the Presidential Ship" on the wreck of Tito's yacht “Seagull” in Rijeka's shipyard with two acting film legends, Radko Polic and Marko Nikolic. The film was edited by the late Marko Glusac.
Following a popular uprising in October 2014, Burkina Faso commits to a historic vote. Thanks to a movement led by the young Burkina generation, this is the first time the country is witnessing a change of government via the ballot boxes.
The documentary shows how the Brazilian men's basketball team in the 1980s revolutionized the game with the newly incorporated three-point shot.
The development of the Hardcore Punk movement in the 90s in Chile alongside bands like Disturbio Menor, Donfango and Silencio Absoluto.
Ten years of war (1910-20), more than one million dead. The struggle for political freedom is gradually transformed into a struggle for land and resources with the appearance of mythical figures such as Pancho Villa and Emiliano Zapata. With the roar of the battlefields silenced, today's Mexico emerges from the ruins left by the first great popular revolution of the 20th century.
Like a photo album long forgotten in an abandoned house, words and images gently recall, as if by osmosis, the outbursts of hope and distress of three women facing a disintegrating world. Also remember the silence of the one who said "Listen", then who was silent, never said anything again.
Mustafa Kemal Atatürk was an Ottoman and Turkish army officer, revolutionary statesman, writer, and the first President of Turkey. He is credited with being the founder of the Republic of Turkey. His surname, Atatürk (meaning "Father of the Turks"), was granted to him in 1934 and forbidden to any other person by the Turkish parliament.
This documentary focuses on a group of women artists, photographers, musicians and actresses who express their hopes in the Arab Spring of 2011 through their crafts. Not only do we get a look at modern day Cairo, Egypt, we also examine the challenges women face there.
The movie tells the story of the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army and the mining plans of the mining corporation Rio Tinto Zinc (RTZ) to exploit their natural resources. The documentary reveals how the Bougainville Revolutionary Army (BRA) managed to overcome the marine blockade strategy used by the Papuan army by using coconut oil as fuel for their vehicles.