Revó

Five friends – a poet, an actor, a painter, an architect and a primitivist film director – are five red avant-garde artists who try to find the embodiment of their hopes and dreams in the young Soviet state. The Revolution is boiling up like a bottle with apple cider: winged service dogs and heart-shaped potatoes, dead Semashko, the People’s Commissar for Health, and cheerful angels, love for the Tsar and love for the young secretary Annushka, executions and pregnancies – everything is interlaced and inseparable!

Kai (Jack Yao), who works at his parent's noodle shop by day and spends his nights in a bookstore to learn French, decides to go to Paris after his girlfriend, who recently left for Paris, dumps him by phone. Then the local neighborhood mafia boss offers Kai a free plane ticket to Paris if he takes a mysterious package with him.

As the largest island in the Caribbean, Cuba is host to spectacular wildlife found nowhere else on the planet: from the jumping crocodiles of the Zapata swamp to the world's tiniest hummingbird, from thousands of migrating crabs to giant, bat-eating boas that lie in wait for easy prey. Decades of a socialist, conservation-minded government, American embargoes and minimal development have left the island virtually unchanged for 50 years. As international relations ease, what will become of this wildlife sanctuary?

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

CHE was the first feature to use the Red camera, which Soderbergh embraced for its versatility and image quality. This short 2009 documentary looks at the evolution of the camera during the film’s production and at the many ways it has enhanced and altered the process of modern digital filmmaking.

The artificial medial noise of the / pandemic wind floods the network. / The human wants to dominate everything. / Nature reveals itself. / The nature within the human is reveal / Like a war between our natural and/or / artificial existence. / Is the pandemic wind that shakes us / natural or artificial? / All representation is artificial.

Men and women are dancing feverishly for a long time. The dance of bodies turns into a filmic trance, fleeing turns into running away, with braided motifs that get revived with every race. The men who don’t dance talk, recite, tell their own stories for and with the filmmakers. And be it through dancing or talking, it is by sharing work space and time, by making a film together, as a community, and by lovingly giving in to sharing, that the film operates politically. It even makes a processional samba in the streets of Sao Paulo look like a show of inalienable collective power. Carried away by this power, the film itself then seems to run away, to overrun its own limits. Somewhere between fable and document, improvisation and composition, anger and joy, all frontiers are burning. (Cyril Neyrat - FID 2021)

A man named Jesus takes on the ruling military junta.

French director Frederic Rossif presents this historical documentary that coincided with the 50th anniversary of the Russian Revolution. Stock footage from both World Wars are included with 30 minutes of new scenes filmed especially for the project. The historical timeline is traced from the time Czar Nicholas II is crowned. The emergence of Lenin, his death in 1924, and the later contributions of Trotsky and Stalin give the viewer a sense of death, betrayal, and ideological devotion to the communist agenda. Rossif effectively uses scenes from the landmark 1929 film The Man With A Movie Camera by celebrated director Dziga Vertov. Rossif researched the film archives from several countries in his meticulous gathering of materials for this timely historical feature.

It’s the spring of 1793 and the French Revolution is raging. King Louis XVI had been beheaded in Paris a few months earlier, and the whole of Europe is teetering on the brink of war. Austrian troops move across the country’s northern border, and among many other members of the French nobility who emigrated, Erneste des Tressailles also serves as an officer in the enemy ranks. Although he risks the death penalty for treason, he rides to Trionville Castle to marry his young bride Alaine. The revolutionary troops arrive quickly and storm the castle, but Alaine is determined to save her groom. (Stumfilm.dk)

This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.

A dramatic vision of a near future in Spain, showing the degeneration of sanity department, the politics and a big crisis that is razing with all, converting the daily life of everybody in some sort of living hell.

The girls of Shin Koihime†Musou sing their hearts out in this animated short.

Nobody knows who is really Jean-Louis. Even him does not know it.

Young people of all generations had their reasons for rebellion, their ways of resisting, and the authorities who resisted them. Were they more daring punks or hippies, was it more dangerous to half-dry Western Jazz or loud rock? Are today's young people rebellious?

Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

Jordan 1970: Like a political tract, the film exalts the Palestinian revolution through the role of the combattants, women, workers and children. Revolutionary songs and poems punctuate the people's struggle for liberation. This film defends a cause that was very little supported at that time. 'Biladi, une révolution' is one of the very first (if not the first) films on the issue.

The revolution of things we use every day that one day stop serving its purposes. The lamp won’t shine anymore; the knife won’t cut. After we realize what’s going on, we change our attitude and begin to appreciate them more. This is the end of the revolution.