Return Of The Ultimate Warrior, Streaming avec sous-titres en Français, return of the || Regardez tout le film sans limitation, diffusez en streaming en qualité.
Just when everything seems peaceful again for Yuna and her friends, a new enemy appears in the form of three robotic sisters. Yuna must once again become the Savoir of Light to fight this strong, new evil.
A strange flying being has arrived in a remote town in Mexico, carelessly flying too low, crashes into a pole, and damages its wings. So he must remain in the town until he is healed. Meanwhile, in order not to get bored, he decides to sow terror among its inhabitants. As the days go by, the strange being that is none other than the fearsome "CHUPACABRAS" realizes that the only thing that inspires them is laughter. El Chupacabra discovers to his horror that he fell into a town of madmen, who led by the "dangerous" Sheriff (Manuel "Flaco" Ibañez) undertake persecution against him. The Chupacabra escapes to a nearby ranch where he kidnaps ¨La Paty¨ (Paty Muñoz) the owner's daughter, unleashing the wrath of ¨Condorito¨ a lepero and mischievous altar boy (Paty's boyfriend) who joins the crazy chase.
Feared loan shark Ginjiro Manda investigates a group of fraudsters when a struggling student and a widow with links to the group ask him for money.
Ginjiro looks after 10-year-old Ayumi. Her mother is away on staff training. The company is a criminal outfit pushing unlisted stock to the elderly.
A man who borrowed money from Ginjiro commits suicide. He had been laid off by the unethical Naniwa Advertising Co. A new recruit is also suffering.
The year 1968 approaches. Bubbling underneath festive spirits are quiet anticipations of a major escalation of conflict, alongside exciting dreams of a brighter future...that seems so close and yet somehow far away. Tư Chung, tasked with overseeing the joint offensive on supreme headquarters in Saigon at the first moment of the lunar year, prepares himself for the most beautiful and painful of hopes. The final part of a series based on a real-life organization involved in intelligence activities in South Vietnam before 1975.
First live DVD from the supergroup JAM PROJECT. Filmed live at Shibuya Kokaido on September 28, 2003.
The third film in the 13 Ghost Stories series depicting strenuous explorations of the human will.
A one-hour special titled "The File of Inspector Akechi" (Akechi Keibu no Jikenbo). Miyuki and Kindaichi hear the story about how Inspector Akechi was a really cool mentor to a young policeman named Kobayashi.
An ambitious architect and his passionate client clash during the creative process of designing a perfect family home. Inspired by a short story by Ramsey Nasr, this film is a meticulous ode to an imaginary space built on conflicting interests, unanswered desires and fallen dreams.
This film reconstructs the life of famed marine biologist and environmental pioneer Jacques Cousteau using a fascinating mix of wildlife footage, archive material and elaborate re-enactments.
A short web-drama
Some soldiers never get to leave the battlefield behind.
The film depicts the activities of the three members of the Triple Detective Agency, who are asked to search for their old friend Yugi, who has disappeared, and get caught up in an unexpected case.
A stroppy looking Sietske Tjallingii sits at an empty birthday party.
About the careful attitude to water.
The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.
Starting in 1979, nearly 2,000 children were evacuated from Namibia (and refugee camps in neighboring Angola and Zambia) to protect them from the violence of civil war between South Africa and the socialist liberation movement, SWAPO. In a gesture of allyship with SWAPO, the GDR accepted almost 500 children for their “protection, education, and socialist training.” In 1990, they were suddenly returned—after Namibia's independence and first all-race elections, which took place the same week as the Berlin Wall opened. The young people interviewed in this film reflect on the experiences of the Namibian children who spent their childhoods in East Germany, focusing especially on their sense of identity and the difficulties they faced fitting into society.
Four French museums, the Louvre, the Quai Branly, the French National Library, and the Rouen Museum, are faced with pressing demands for the return of works of art. The number of demands is multiplying. They come from all over the world, and in particular from Egypt, Mali and New Zealand. The question of returning works of art to their countries of origin is increasingly making news. Take for example the emotions aroused by President Sarkozy’s decision, on the 12th November 2010, to return 297 royal manuscripts to South Korea. The ensuing row involved diametrically opposed points of view. Was it a violation of the principle of inalienability of France’s national collections or was it a just reparation for the victims of colonization? The rich countries’ great museums and the countries of origin have completely different visions of the issue. The museums defend the idea of a universal museum whose works belong to the whole of humanity.
