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A university student receives a music box for her birthday and terrible events start. A friend dies in a accident, another drowns in a swimming pool.
The author writes that at the moment the sun retrieved its last ray of light, the girl "sensed sensuality in the dark and watched death". The Woman at the Toy Store (OH Jeonghee) was transformed into a film, and the sexuality of the girl and woman gained the rhythm of requiem. The thrill of the moment when the positive changes to negative is, therefore, the sensuality of the cinema. Blue Requiem, the queer experimental work dedicated to the girl and the woman, arrived in the Winter Republic in 1986.
In August 2007, after some medical studies, I was diagnosed with bone cancer. This movie is based on my memories of those days.
After the rape and subsequent suicide of a college student, her mother takes revenge on those responsible.
Forty actors dancing through the world’s metropolises, deserts, ancient epics, and inner pictures. In Gao’s poetic-aesthetic world, fantasy mixes with imagination, reality with unreality. An experimental film poem unfettered by narration and existing entirely outside the criteria of traditional cinema.
live action Diabolik Lovers
Guri and his mother, Sanata, have been living in a mountainous village of Georgia, with a dog – Tuia. The visual observational journey vividly shows motherhood’s bond, image of everlasting, pure, endearing union. Meanwhile, living in harmony, what happens if a third person intrudes in their tacit relationship. The young lady’s rapid appearance arouses questions – to what direction their life will turn, what will be transformed, lost, or gained.
Dolkar is a 26-year-old living in exile in Delhi. An unexpected encounter with a figure from her past sets off a flurry of memories she had long repressed regarding the journey that brought her here.
In the summer of 1807, Clemens Brentano stumbles into the most extreme love affair of his life. The woman, who, aged barely 17-years-old, throws herself at him with such terrifying brutality, is called Auguste Bussmann.
Students Jaan and Heiki in 1972, inexplicably, cross the river of time and arrive in 1944, the year of the German occupation of Estonia. The film depicts the painful and conflicting contact between the two ages and mentality.
“Requiem pour le XXè siècle” is a manifesto against war. It is an elegy. The photograph is connected with images that are part of our collective memory: extracts from newsreels of World War II that have been reworked and transformed through various optical and electronic processes. World War II was a condensation of violence (biological and environmental destructions, racism, ethnic clearing, and persecution of people who are different…) and ongoing wars perpetuate that violence. This work is a metaphorical representation of all past, present and future wars. Constructed on the dramatic tension between the violence of wars and the presence of the intersex hermaphroditic “Angel”: Their eyes are bandaged; they are a symbol for difference, having an ambiguous position: observer, witness, victim or judge.
How better to understand how the ice flies and dies than sticking your ear to it? Ludovic Moreau is a geophysicist who seeks to unravel this mystery: why does the ice pack melt faster than in the forecasts? To conduct this investigation, he travels with five scientists near the North Pole, in Svalbard Norway. On a frozen lake they put seismic sensors to record the song of the ice. A song that may help break the secret of the ice pack and its decline.
This movie is not about love, nor is about war. This movie is about the end of love.
Through the maze of a nightmare, a young man faces his father. His trauma springs from the darkness and he gradually exorcises his bitterness.
People are praying for rainfall... a Land parched in drought... the illusion of snow... Rozhin is engulfed in reveries of flight from an undesirable marriage... Rozhin seeks support from a stranger... and this is not the end of the story.
Requiem (Live At Roadburn 2019) marks the bombastic conclusion of a project over 30 years in the making: the legendary Celtic Frost/Triptykon "Requiem" performed for the first time in its entirety and with full classical orchestration (by the Dutch Metropole Orkest). “Requiem” (46:00 min.) is composed of three chapters: "Rex Irae" (first appeared on 1987’s Into The Pandemonium album by Celtic Frost), "Grave Eternal" (newly written middle part), and "Winter" (first appeared on 2006’s Monotheist album by Celtic Frost).
Daedalus escapes from the Labyrinth to find the ideal state, but soon he falls into tragic moments of history.