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Bartłomiej, community elder and orator, must choose an appropriate successor, but finds difficulty in the aftermath of a local girl's tragic hit-and-run death. A community's pain reverberates through fractured relationships and the burden of funereal responsibility.
The last play directed by Hanoch Levin. The plot follows three grieving characters: The Old Man, The Mother, and The Mule Driver, as they look for remedy from passers-by and confront the realities of death and the loss of their loved ones. Set in a small, desolate village, the play explores their struggles to find meaning in life amid sorrow; a poignant tale on mortality and the human condition.
It's your last day in the office, and you have company.
1958. In the cell of the condemned, seven men await the signs of an approaching execution. All of them recall their pasts and envision their wish-dreams.
A documentary film dedicated to Alexei Balabanov and his latest film "I also want to".
Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.
The tragic story of a heavyweight prizefighter at the end of his career.
The modest notary at the symphony orchestra of Gen Munkin did not like his mother-in-law. She was especially repelled by his work. Having identified her son-in-law as a loader in a butcher shop, she did not expect that the first piece of meat taken out by Gena from the store would end up in the circus...
This is the first dance drama film in South Korea. The film, which is being premiered through the One World One Flower International Buddhist Film Festival, captures the cycles of past and present lives experienced by the main character during the period of Cheondojae. For the depth of artistic quality stands out, thanks to the performances of actor Park Ki-ryang, who is currently working as a dancer in the National Dance Company of Korea, and actor Lee Jung-hoon, a specialist in mime and performance.
In the slums of Osaka, various marginalized misfits have their own interpretations of love. Completely alienated from the outside world, they commit sexual perversions, violence and cannibalism.
In Southeast Asia, armed guerillas storm a party being hosted by a major Japanese trading company. They kidnap Eri Enomoto (Rika Uesugi), the director's daughter, and demand a huge ransom. But company infighting stalls plans to comply with the kidnappers, and Eri's father collapses from the strain. When Eri's childhood friend, Miki (Natsuki Katoh), learns of the kidnapping and the company's reluctance to save her friend, she decides to try and rescue Eri on her own.
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
A father who lost his son realizes his past mistakes and tries to talk to his son and let him rest in peace.
All the families of Xiaojun Meng suffered a serious car accident. A truck rammed his motorcycle and Xiaojun Meng was hurt badly and her four-year-old daughter was suffered a fearful brain damage, but her wife was dead, unfortunately.
A documentary film dedicated to the tragedy of the Armenian people as a result of the earthquake of 1989.
After she lost her husband and her job, Mrs. J is sitting in her living room with a gun in her hand.
This is a story set in the distant past, in the seventeenth century, during the Thirty Years’ War. In the city of Nordhausen, in the Harz Mountains, life is cheap, and the prevailing class divisions and interpersonal relations increasingly intense. The children are taken away from their parents by force, and when they return after many years, they seem to be strangers to them. Yet this is also a story set in modern times where people are still incapable of learning the lessons left for them by the previous generations of cruel divisions. The film is a cinematic experiment dealing with the beauty, fragility, and imperfection of human nature through archetypes and myths.
— The story begins with a girl mistakenly killing two ladybirds. From this incident, the girl's guilt overwhelms her, creating the hallucination of a button of her blouse turning into ladybirds. She begins to feel that her selves have multiplied and exist elsewhere. In an attempt to assuage the continuous wave of guilt and fear, she keeps sewing hundreds of buttons to the inside of her skirt. — I remember, as a child, reading a children’s book. There was a page that could not stop looking at again and again, though it frightened me and gave me nightmares. I have this vision. A ladybird fell from my hand to the ground, where it was immediately crushed by a car. The yellow liquid oozing from its limbs tasted so bitter. “Ladybird’s Requiem” is based on the transformation of these childhood nightmare into beautiful and nostalgic memories as an adult. —