Replay Maison En Face Episode 4

In the summer of 1969, Bernard, a Gaspesian fisherman's son, arrive in Perce to fin work. He meets Paul, Jacques and Francis, Quebec Independence activists who have come to open the 'Fisherman's House'. They aim to organize public conferences and offer lodgings to young travelers. A motley crowd of Quebecers from all over the province soon flocks to Perce: artists, hippies, rockers, hitchhikers and the like shake local authorities. Bernard is won over by the trio's ideas and gets increasingly involved in their project. The following year, the will join the Front de liberation du Quebec (FLQ) and play a pivotal role in the Summer Crisis 1969.

In Marseilles, in a house of correction reserved for teenagers, it is the young Patricia who, by its authority and its force, imposed herself on all her classmates.

Annie-Soleil Proteau embarks on major renovations to her family home, the one she was never able to leave. It's a project that has her going back into her memories and thinking about how she put down roots in Hochelaga; her neighbourhood, her village.

After a long journey, Alain arrives at the Usher mansion to visit his old friend, Roderick Usher. Upon arriving, however, he discovers that Roderick and his sister, Madeline, have been afflicted with a mysterious malady: Roderick's senses have become painfully acute, while Madeline has become nearly catatonic.

"I had not only to pose before Chrismas crib like most children; I also posed before cottages, dolls houses, music box houses, lamp houses, cake houses, money-box houses and China-houses." In the same house a mother wonders if she will eventually have a place of her own ; a daughter sticks to her little world ; a father is satisfied with building sand castles. But will they dare to leave?

From the outside we can not see anything, inside we hear everything. In the distance the roads are closed, when closely open the possibilities.

Slowly, the steel jaws devour the old tower. An ancient owner rushes into the rubble, chasing children unwary. Then began a strange journey into the heart of this 'house' which shelters so many memories...

Town trollop Safia, much against her better judgment, falls in love with Matteo, a beggar and mystic in the native quarter of Sirocco. She flees to France, first as the mistress and then wife of a wealthy archaeologist, and bears him Matteo's child, whom he believes to be his own. Complications arise years later when Matteo finds Safia, and a ring of blackmailers uncover her past and exposes her to her husband.

In a last gasp effort to school Titine in domestic labor, her parents entrust her with housesitting. She executes her obligations with catastrophic aplomb, shattering all the dishes in the gesture of cleaning them. She manages to flood and incinerate her entire home simultaneously. In a futile effort to find her baby brother and pet dog, she inherits a horde of stray canines and orphaned babies.

The stick man Fantoche is looking for a home, but there doesn't seem to be any room anywhere, not even in Hell.

After her parents' death, a young woman moves in with her unsophisticated country relatives with unfortunate results.

Jeanne runs a busy inn with her husband Georges, her two children and two sisters. There is perfect harmony and the constant sound of laughter coming from the kitchen and office. One day, Pierre, the landlord, takes up a room without a word of explanation. Jeanne gradually begins to feel a strong attraction toward the new guest.

From Brazzaville to Barcelona, a journey around the world in search of unique and diverse voices with the purpose of celebrating the collective dimension of life through words, music and the movement of bodies.

Il Cavaliere di Maison Rouge is an Italian adventure film directed by Vittorio Cottafavi based on the novel by Alexandre Dumas.

When a criminal named King Fu who has terrorized a city substitutes himself for a stage actor who looks like him, the staff and spectators at that night's show think the actor is giving an unusually good performance.