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Mathieu Roy's L’Autre maison is an intimate and powerful family drama featuring three generations of great Quebec Actors. Marcel Sabourin plays Henri Bernard, an 86 year-old man with a failing grip on reality. His sons, a jet setting middle aged photo-journalist (Roy Dupuis) and a younger pilot-in-training (Emile Proulx-Cloutier) disagree on a course of action, leaving the father and the younger son inhabiting a rustic cottage in the woods. As the older man's health deteriorates, options become more limited; when an IED accident in Afghanistan kills the photo-journalist's translator, the family must come together like never before. Shot in Quebec, Iceland, Africa and Asia, Another House blends elements of memory, perception and lyricism into a remarkable cinematic mix that moves the story well beyond direct domestic issues into a visual realm that balances nature and humanity.
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
A trio of prankish boarders wreak havoc on their landlady and an intervening policeman.
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
Under a scorching sun, seventeen-year-old Purdey and his fifteen-year-old brother Makenzy are left to fend for themselves. While Purdey cleans houses in a hotel complex, Makenzy makes some money by stealing tourists. Between the recklessness of adolescence and the harshness of adulthood, they will have to support each other in this heartbreakingly sweet journey, which seems to be the last summer of their youth.
The film began as a record of the painter Joseph Glin and his series of paintings inspired by "La Maison Des Mortes" by Guillaume Apollinaire. After filming Joe destroyed the paintings and closed his gallery, Shekhina, where the paintings were filmed.
Richard Turcotte meets people who, like him, had to live through the nightmare of a renovation project gone wrong. Water leaks, fungi, vermin infestations, undrinkable water, shaky structures: these unlucky owners have seen it all! Richard explains the consequences that a problem house can have on the mental, physical, financial and familial health on its owners.
What to do, and what not to do, when one is building or renovating a house.
Sophie Tatischeff's short film set in the small town of Sainte-Sévère-sur-Indre, three decades after its use in her father's film 'Jour de Fête'. The conversation from a typical village bar is transplanted to a patisserie with particularly tempting tartlets: 'No reason for us not to have another' says one habitué; 'no more for me thanks,' says another. 'A shortbread at this time of day?' asks the woman behind the counter.
Julien, a renowned geologist, lives with his wife Isabelle and their two children in a country house. But his sullen, uncompromising attitude leaves tensions high. The arrival of Carl-Stephane, a young German student, brings a breath of fresh air and lightness to the household.
In the suburbs of São Paulo, Gustavo, fifteen years old, spends his days in a community center managed by the evangelistic church. His mother, Giselle, has problems of alcoholism. She is summoned to the center where she meets Valeria, the social worker. Valeria is also a minister.
To escape the city's noise, a house flies away. As it floats around in space, the furniture escapes to furnish an apartment on the moon. This is the first French stop-motion animation film with computer-synthesised images and a 4X sound processor system.
In a large building full of sounds, people are waiting for a new melody that will change their lives. No one has realised that it has already begun to play.