Rendez Vous Avec Mikhaïl Gorbatchev

One of the first victories against the Nazis in World War II is when Parisians help allied forces drive the enemy out of occupied French Algeria.

To relieve her boredom, a lonely woman embarks on adventures that turn out to be disappointing.

This 1981 video magazine “For the Man Who Wants More…” contains Monte Hellman’s short portrait of Francis Ford Coppola discussing business and craft at home and on the set of his Zoetrope Studios, “Inside the Coppola Personality” (aka “Coppola: A Profile”). Also inside is “Modesty”, a self-portrait by Bob Rafelson, shot by Bruno Nuytten; a portrait of a pubic hair dye specialist; a travelogue on Bangkok; a candid camera with a planted hussie at a gas station. a.o.

Noah, in his final year of high school, decides to sign up for a dating app after recommendations from his best friend. There, he will make a charming meeting, Diego, a boy of the same age who, unlike him, is not yet ready to take the leap. The relationship between the two boys who communicate only through the application becomes more and more powerful as the days go by and the idea of ​​meeting in real life is quickly essential. Noah is going to experience the intense stress of a first romantic encounter. This is if Diego decides to take the leap and come to the meeting.

When she sets sail for Lisbon, Catherine Laurence, a famous classical singer has but one wish: to be left alone. Unfortunately she soon gets bothered by a rude, invading man. Later she gets to know him better and becomes susceptible to his charm. She realizes that Michel is in love with her and it is not long before she goes beyond her disastrous first impression. Although not quite sure he is a perfectly honest man she entrusts him with a delicate assignment: keep her precious pearl necklace coveted by Van Coolart, a fake Dutch diamond-merchant, and give it back to her in Paris. If he is a robber himself, so much the worse for her. But if Michel keeps the Paris rendezvous love is in store for both of them. Nevertheless there is a crucial factor she regrettably disregards, composer Raymond Aubour, a faithful friend who has been her suitor for ten years.

A woman becomes distressed by the resemblance between the plot of a film and the reality of her own life. But what is reality: life or film?

The fate of a young girl named Svea, who has always been hunted down, in the depths of an immense forest governed by the monstrous Akos, not far from a mysterious castle inhabited by the noble Adrien, who will become the willing sacrificial victim of an incredible sylvan entity.

Rendezvous in Montreal is a 3D computer-animated film starring virtual actors Marilyn Monroe and Humphrey Bogart.

A young couple with Downs Syndrome are on their first date out at a restaurant.

1962, one evening in Pigalle. A woman smokes on the terrace of a café. Later, on the way to her rendez-vous, through a dark street with slippery cobblestones, she realizes that she is being followed. In the distance, a dog barks in the night.

After Clara orders grenadine at the bar, most of the drink inadvertently ends up on Mathis' shirt. She takes the shirt to fix it, and when she returns it clean, she tries to befriend Mathis, hoping it will become something more. However, she is not alone in this effort.

A short subject by Pierre Bailly.

Remake of the famous short film C'etait un rendez-vous (1976), where Claude Lelouch shows us a Mercedes 450SEL, to the sound of a Ferrari 275 GTB, V-12 engine, which runs through the streets of Paris until the driver finds and gives a kiss on the beloved woman. This first feat without authorization from the city hall of Paris and yielded up to a few hours at the Police Station. This time everything was done within the law. A Ferrari SF90 Stradale, driven by Charles Leclerc, racing through the Monaco Grand Prix circuit, closed to traffic and pedestrians from 6:45 am to 9:00 am.

Do you know Lacan, which many consider as the greatest psychoanalyst since Freud? Beyond the myth, the legends and sometimes, the curses, this film by Gérard Miller allows us to discover his work and his personality, through the testimony of his patients, his students, and also his relatives. Born with the XXth century into an upper-middle-class Catholic family, a psychiatrist by training, with an encyclopaedic knowledge of culture, a friend of Picasso, Levi-Strauss and Sartre, Lacan was a great theoretician, an outstanding practitioner, and he remains the most modern, the most challenging and even the most sulphurous of psychoanalysts. The director Gerard Miller met Lacan thanks to his brother, Jacques-Alain, the most faithful of his students, who married his daughter Judith. Their close and intense relationship makes this film exceptional.

The love of a singer and his mistress suffers a setback.

The premise deals with a family living in a country-house which turns out to be 'alive' – to the point where a TV crew is brought in to 'capture' the paranormal phenomena